Dead in the West RPG Review - Score: 76 / 100

This review is part of my new TTRPGs page, where you can find awesome Games Like DnD that you may never have heard of before. If you're interested in finding a new game to play, check out that article!

 

Dead in the West RPG is a newer TTRPG, Kickstarted in 2018. This game is all about the mythical American West, where players roleplay soon-to-be legendary cowboys.

 

My overall impression is that Dead in the West is a solid RPG, with a game system solidly based in RPG classics, but with its own unique twists. The game plays well, with very few hitches, and certainly immerses players in its genre.

Dead in the West RPG Cover

How Unique is Dead in the West RPG: (6/10)

Dead in the West has a few game system elements that are unique among tabletop RPGs, though most of its uniqueness as a game comes from its setting. I want to give Dead in the West a 7/10 in this category, but I don’t feel like the “game mechanics” quite justify that score.

 

What’s Unique about Dead in the West

Dead in the West RPG is only the second tabletop RPG I’ve ever played that is specifically set in the “Mythical American West” (the other being Dogs in the Vineyard). Everything about the game’s lore is relatively unique, and the rulebook does a great job of encouraging players to connect everything about their characters to the way they roleplay and interact with the game world.

 

I find “Vigor” to be an interesting mechanic in the game, where players can improve their character’s skill or combat checks, at-will. I also generally enjoy the concept of “Hoodoo rolls” in the game, which provide a sort of “fate” element to what happens in the game’s story.

 

Finally, players and their GM may collaborate to create character “abilities,” which are in a sense, their special powers.

 

Character Abilities

In my mind, the most unique part about Dead in the West is that players and the GM can collaborate to create abilities 100% custom for each player. Abilities are also supposed to be extensions of the character, and inform how each player roleplays their character.

 

My only critique about abilities in Dead in the West is that though there are many ability examples provided in the book, giving power to GMs to create a game’s “powers” can be overwhelming. The idea is that if abilities end up being either 1) too powerful or 2) under-powered, players and the GM can adjust the ability over time.

 

Ultimately, I’m sort of torn on whether or not I really like how abilities work, but I do have to say that the concept is unique. I tend to find classless RPGs interesting, and this game might be one example among very few that makes a classless concept work.



How Easy is it to Learn Dead in the West: (8/10)

Having played quite a few tabletop RPGs, I found Dead in the West pretty simple and easy to learn. Though character creation takes up about 50-pages in the rulebook, the process is fairly straightforward.

 

Characters have stats, attributes, experience, demeanor, virtues and vices, and a section called “what yer pappy did.” My gaming group was confused at first between the differences of stats and attributes, and the modifier values they each gave were different from one another, so starting out the game wasn’t 100% clear on what everything did.

 

“Experiences” are also different in Dead in the West, as the term refers to a character’s skills and knowledge, and doesn’t relate to leveling up.

 

Actual Gameplay

Once characters were created, the overall feel of my gaming group was that Dead in the West fell into familiar tabletop RPG territory – in a good way. The game was easy to pick up as we explored a Western town, which eventually led to fighting bandits.

 

Most game mechanics function very similarly to other tabletop RPGs, so they were intuitive to use. We particularly enjoyed the “virtues and vices” of each character, as they did help us create unique personalities and roleplaying experiences. In Dead in the West, the GM can compel players to act in alignment with their virtues and vices (which are things that make them selfless or selfish, at different times), which in our case, led to some fun moments.


Dead in the West RPG Great Frontier

Dead in the West RPG Presentation: (9/10)

I really like the graphic design of Dead in the West RPG. The game’s rulebook has very nice formatting, font, colors, and sizing. Reading through the book, I particularly appreciated that the order of information and chapters flowed very nicely. As a new player, it was easy for me to navigate the information provided, learn the game, and reference material as-needed, during play.

 

I also enjoyed the game’s writing style quite a bit. The author did a great job presenting information clearly, while also making it thematic to the game’s setting, and overall fun to read.

 

Rulebook Length

Dead in the West RPG is written for someone who’s probably never played TTRPGs before, which is why the rulebook is so long (close to 300-pages).

 

I go back and forth at times on whether or not I feel that multi-hundred page TTRPG rulebooks are valuable. On the one hand, authors/ game designers need space to accurately convey their ideas, so length can be a positive. 

 

On the other hand, in most cases, a person’s first RPG won’t be an indie RPG, so they should have a base level of understanding coming into any indie game, which would make lengthy explanations unnecessary.

 

Whenever I read through TTRPG rulebooks, I basically skip 75% of the text so I can read what I need in order to play. The flavor text is fun, but for me, largely unnecessary.

 

One Upgrade I’d Like to See

When it comes to specifics, I did wish that character vices and virtues would have a space of its own in the “Player Monitor” section of the GM Sheet. Since the GM can compel characters to act in accordance with their virtues and vices, it would’ve been nice to have a spot on that sheet where virtues and vices could be easily referenced.

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Lore: (9/10)

Though there isn’t an official Dead in the West game world setting provided, the entire rulebook is basically lore. From character creation details to terms used in the game, players can’t help but feel immersed in the Mythical American West.

 

The game also offers some general settings to the GM – the gold rush, civil war, nearing the end of the old west, etc. – with brief explanations on each. Each of these setting could work for entire campaign ideas, or even just shorter quest ideas.

 

What probably seals the deal for me on lore is that Dead in the West provides a lot of in-depth information that players may use in their game’s setting, at any time. There’s info on downtime, gambling, town life, settlement building (which I think is especially cool), the benefits of character employment, and even shopping – which even includes how much it costs to buy a tin of condensed milk.

 

Sometimes, details provided in Dead in the West were too much for me, and I felt like they detracted from the game overall. However, so much of the game is optional in use that never felt too oppressive.


Dead in the West

Combat in Dead in the West RPG: (4/10)

To be fair, I felt playing Dead in the West that the game is more of a “roleplay game” than a “tactical combat game,” – as in, that’s what the designer was going for. So, a low score in this combat category probably shouldn’t deter anyone from playing the game, unless like me, you love tactical combat.

 

How Combat Feels

Characters have a weapon, an accuracy value (based on character stats and maybe their experiences), a score for movement, and some advanced actions they can take per round.

 

When our group got into combat with bandits, characters would fire their gun until they needed to reload. While reloading, characters are counted as being a “sitting duck,” and they can get blown away in short order. In order to prevent that, players had their characters “dive” behind a table or something so they get “cover,” whenever they needed to reload. Once reloaded, characters started blastin’ again.

 

Basically, it was shoot, dive, cover, reload, then shoot again. Repeat until all enemies are dead.

 

There are more options available in the rulebook for ambushing enemies, “corralling” (flanking) them for increased hit chances, grappling, etc. But since the game’s abilities are all player- and GM-created, there weren’t really abilities provided that really spiced up combat tactics. The closest thing was probably mounted combat, but since that comes with its own degree of complexity, I didn’t feel like it added to combat in a substantially beneficial way.

 

Crack-Shots and Locational Damage

As I’ve mentioned in other reviews, such as for Warhammer Fantasy Roleplay, I’m not a fan of hit locations. Dead in the West RPG has hit locations, but you need to get a “crack-shot” (basically, critical hit) to do so, or intentionally aim for specific locational damage, so it isn’t a required part of the game. I also feel like it works out ok because you can use locational attacks to break chandeliers and destroy wagon wheels, so it feels like a more organic part of the game’s system.

 

I do think, however, that the locational damage effects (ailments) in Dead in the West are off. It takes 12-damage, for example, to “hobble” someone’s leg. For comparison, most characters at Lv.1 have 12-HP. So... you can either kill someone, or hobble them, your choice.

 

Typically, debuffing an enemy is not as valuable as just outright killing them (if you’re just trying to win a battle, and deaths don’t matter). So, my gaming group was surprised that it was just as hard to get someone to drop their gun as it was to just drop them to their grave.

 

Probably, locational damage should be like 3-damage or something to cause an ailment, instead of 12.

 

Hidden HP

One thing I can definitely say I liked was that character HP is kept hidden from players. Players can “check in” with the GM to see how their character’s doing, but they don’t have a numerical value they can use to make decisions in combat.

 

Having hidden HP led my gaming group to be far less risky, overall, than I’ve normally seen them. Their risk-aversion did create a slower-paced game, but the tension, drama, and excitement of the game was always high, since HP was a mystery.

 

This is also the first game I’ve ever played where character HP was hidden from players, so Dead in the West did get a little more “uniqueness” score just for this one mechanic.

 

Game “Flow”: (7/10)

In Dead in the West RPG, “the game values creativity and drama over everything else – so rulings are often more important than rules.” For this one reason, given straight from the rulebook, my gaming group always seemed to be in the flow.

 

Most of the Dead in the West rulebook is lore- or setting-related, or flavor text, so it was very rare that we felt like rules got in the way, or slowed the game down.

 

For my group’s players who particularly enjoy Western style RPGs, I think their sense of “being in the flow” of the game was even higher. The only time where I really felt out of the flow with Dead in the West was when it came to combat.


I will also say that I think if my gaming group had played an ongoing RPG campaign before I wrote this review, I would've been able to play around more with building settlements, which I think is one of the more interesting aspects of Dead in the West RPG. I could definitely see myself getting lost in the game if we were building up a new city or something. Definitely kudos from me for adding a city-building part to the game.

Gunfight Dead in the West

Artwork: (6/10)

The game’s cover art is great, and there some other pieces throughout the book that I also really enjoyed. Not all artwork in the book has the same style or quality, however.

 

For a kickstarted book, I was impressed at how much artwork is present. Finally, because of the Western-themed color choices and the great graphic design, I always felt like the aesthetic element only added to my experience of reading through the game’s rules.

 

Dead in the West RPG Ease of Purchase: (10/10)

Dead in the West is extremely easy to purchase. You can buy Dead in the West at its website, and find additional information on the game at its Kickstarter page.

 

Price & How Many Books Do You Need to Play: (10/10)

I’m always happy when I see that games are in the $15-20 range.

 

You can purchase a Dead in the West PDF copy for roughly $20, and a print/ PDF copy for about $50.

 

The Dead in the West rulebook comes with sections on character creation, lore, and a large section of the book on game master tools – basically everything you need to play in that one book. I do think Dead in the West could’ve used more information on enemy stats, but since there are sections for NPC character ideas and critters (that have stats included) any GM could make do only with what’s provided.

 

Ease of Starting a Group & Availability of Supplemental Material: (7/10)

People should play Dead in the West if they love the American West and the mythological stories it inspires.

 

Dead in the West RPG is not a famous game yet, but you can help make it so. My gaming group enjoyed playing, and we’re a pretty experienced group when it comes to different tabletop RPG system. So, I can confidently say that chances are good your players will have fun, as well. If any of your players love Dead in the West’s genre, then this game is a must-play.

 

At this time (so far as I can tell) there are no supplemental gaming materials available from Dead in the West.

 

Dead in the West is Produced By:

Will Donelson

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Jacob Tegtman Eternity TTRPG Creator

Author - Jacob Tegtman

Dear reader, I hope you enjoyed this article. Tabletop gaming has been a passion of mine since I was 6 years old. I've played just about every game from Dungeons and Dragons to video games like Final Fantasy. These games have inspired me, made me laugh, made me cry, and brought me endless hours of enjoyment.


I started Eternity TTRPG - and the indie tabletop game that goes along with it (Eternity Shop) - to share my love of gaming with others. I believe that in our technology-driven age, tabletop games help bring a sense of magic and community back into our world.


If you love the site, please share it with others! I have lots of gaming-related material for you to peruse and use in your own gaming sessions. If you have any questions about the site or want to contribute, just send me a message using the "Contact" page, which you can find in the site's footer.

A vampire sits on a dark throne holding a wine glass, with the text
By Jacob Tegtman March 11, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=2z2fTaAQS3g Transcription For months the D&D community has been asking the same question… “Where are all the new books?” Well—Wizards of the Coast finally answered. 2026 is bringing Ravenloft horror, high-magic arcana, a Feywild heist romance, and… a crochet owlbear. Yes. Really. Today we’re breaking down every single Dungeons & Dragons book announced for 2026 —what they are, who they’re for, and which ones might actually change your campaign. Welcome back to Eternity TTRPG—your party’s reliable source for Dungeons & Dragons news, lore, and tabletop chaos. Today we’re going through the entire 2026 D&D release schedule . There’s quite a few books, so this list is meant to give you the quick, clean, and minimal filler low-down. If anything sounds good, you have something to start on for your own in-depth research. So, let’s get started. The biggest announcement so far for 2026 is: Ravenloft: The Horrors Within , Releasing June 16th, 2026. This new sourcebook expands the Domains of Dread , the gothic horror setting originally ruled by Strahd. For Dungeon Masters, the book adds: • new Darklords • new monsters • and expanded guidance for running horror-themed campaigns . That includes subgenres like: • gothic horror • cosmic horror • and psychological horror. Players get new options too: • horror-themed subclasses • new species and backgrounds • and expanded Dark Gift feats . The book also expands the fear and dread mechanics , which could add some serious tension to horror campaigns. And yes… Legendary monster hunter Rudolph van Richten is making another appearance. Preorders begin April 13th , and digital versions hit D&D Beyond early in June . So horror fans—Is Ravenloft your favorite setting, or are you still loyal to Curse of Strahd? Then in September 2026 , we get one of the most mysterious releases: Arcana Unleashed. Wizards of the Coast calls it a “high-magic sourcebook.” What we know so far is that it introduces new arcane subclasses from earlier Unearthed Arcana playtests. Plus: • new spells • magic items • artifacts • and expanded customization options. But the biggest addition might be a new “evolving magic item” system . That means magical gear that levels up alongside your character, which if done properly – could be pretty cool. This kind of thing could also change how treasure progression works in campaigns. We also know though that if this idea is done poorly… Well… could lead to certain things from this book being banned at some tables. Launching alongside Arcana Unleashed is an adventure expansion called: Arcana Unleashed: Deadfall. This adventure ties directly into the main Arcana Unleashed book and features the infamous Red Wizards of Thay . The story reportedly involves a massive magical war , with new lore about the organization. And interestingly… A Red Wizards adventure was originally teased way back in 2023’s D&D Direct event , so this might finally be that storyline. We don’t yet know if this will be: • a full physical book • or only a digital D&D Beyond adventure . But if you like Forgotten Realms villains… The Red Wizards are about as dangerous as it gets. Next up is something aimed at specifically Dungeon Masters : the Dungeon Master’s Workbook of Worldbuilding, releasing May 5th . This one is all about building better campaigns. The book includes exercises designed to help DMs: • design campaign worlds • create memorable NPCs • build maps • and improve improvisation skills. Which honestly might be the most important DM skill of all. Because no matter how much you prepare… Players will always find a way to kick down the door that has nothing behind it. At least until you create something on the fly, that is. So, this workbook aims to help DMs build living worlds instead of static storylines. I got some really great advise when I first started DMing, which was to steal everything. I think these kind of thought-provoking books help synthesize great material into something that’s also – at the same time – entirely your own. Alongside the DM book, and launching the same day, is something aimed at new players and storytellers . This is an interactive companion to the D&D 5.5e Player’s Handbook . Instead of rules, the book focuses on guided character creation . It includes prompts that help you: • build backstories • connect your character to the party • and design personal motivations that actually matter in the campaign. Think of it like a creative writing workbook for D&D characters. If you’ve ever stared at a blank character sheet thinking… “Uh… I guess I’m an edgy rogue with amnesia? Oh yeah, and I’m an orphan – definitely, always an orphan.” This book might actually help. And I mean that in a kind way. Nearly everyone benefits from a bit of help thinking through interesting character creation, without relying on the same tropes that Final Fantasy characters have been relying on for a few decades. Then, we have something completely different. The Feywild Job releases June 30th . And this one is actually a D&D novel , not a game book. It’s written by C.L. Polk , a Nebula and World Fantasy Award-winning author. The story follows two former lovers turned thieves hired to steal a magical artifact from the Feywild. So imagine: • magical heist story • romantic tension • with chaotic Feywild politics. Basically romantasy meets D&D crime caper. Which honestly feels like the most Feywild thing possible. Every now and then I can get into a D&D novel. Maybe you’re like me and it’s been enough time to give a new novel a try. Finally, we have Dungeons & Dragons Crochet: A Book of Many Patterns. Yes—this is a real official D&D book. Written by longtime D&D contributor Stacy King , it includes 20 crochet patterns inspired by the D&D multiverse . We’re talking: • Owlbear cub plushies • Mini beholders • And even a handmade Bag of Holding So, this obviously isn’t a rules book. It’s basically crafting for D&D fans who want to bring the monsters to life—literally in yarn. Kind of like D&D cook books, but crafts version. Which, by the way, I’ve seen a lot of these kind of things selling like hot cakes at local conventions, so you know it’s going to be in-demand. Buy it for the ladies in your weekly D&D group who are into crochet. Ok, so I lied. There’s a bonus round here, which is one possible future release. There are strong hints that Dark Sun might be returning, which I shared about a couple months ago in a previous video. Recent playtests included subclasses tied to the setting like: • Gladiator Fighter • Defiler Sorcerer • and Sorcerer-King Warlock. Those are classic Dark Sun themes . So, while nothing is officially confirmed… It’s very possible we’ll see a new Athas sourcebook in 2027. And if that happens? It would be the first major Dark Sun release in decades. I’d be super into seeing something like that come down the pipeline. That’s the full Dungeons & Dragons book roadmap for 2026. From crochet monsters… To gothic horror… To evolving magic items. It’s actually a pretty diverse lineup. But, now I want to hear from you: Which of these books are you most excited for? And which one are you skipping entirely? Drop your thoughts in the comments. And if you want more weekly D&D news, lore, and tabletop chaos— Make sure you subscribe. Until next time… May your dice roll high and your players never step through the door that you never prepared for.
Dungeons & Dragons logo with text:
By Jacob Tegtman March 4, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=9vE0niUm8vU Transcription Wizards of the Coast has finally done it. After years of calling it “One D&D(?)”… then “D&D 2024”… and pretending it wasn’t a new edition, while kind of also insisting that it was… They’ve now officially named it what I had assumed the community at-large has been referring to it as now for probably at least a year, which is: D&D 5.5e. Was this the right call? Did, in fact, the community already decide this for them? And does this mean we’ve now officially entered into an edition war era again? Let’s talk about it. Welcome back to Eternity TTRPG — your go-to source for all things Dungeons & Dragons. Today we’re breaking down Wizards of the Coast’s official confirmation that the latest, 2024 rules update is now officially known as D&D 5.5e , what it means for the community, and whether this name change actually does anything. So, after years of brand confusion, Wizards of the Coast has indeed officially confirmed via a detailed FAQ that the 2024 rules update will now be called: Dungeons & Dragons 5.5 Edition. On D&D Beyond, all 2024 material will carry a “5.5e” tag, while legacy 2014 content will simply remain labeled “5e.” According to the FAQ, the reasoning is simple: Players mixing 2014 and 2024 content were confused about which rules applied. Which, yeah. No kidding. And honestly? If you’ve ever tried building a character using mixed subclasses, spells, and feats… you know that confusion is real. For years this thing – this edition – has had an identity crisis. First it was called One D&D — for some reason – positioned as “the future of D&D.” Then marketing shifted heavily toward “D&D 2024.” And now? We’re back to the old-school edition numbering convention. Wizards of the Coast says using “5e” and “5.5e” makes it quicker and easier to tell what rules you’re using — especially on digital platforms. Which, I agree. I actually got my start into D&D during the 3.5e era, so nothing crazy there for my generation. From a UX standpoint I think this also makes sense, especially as D&D continues to push their online gaming and presence. D&D Beyond has kind of always been a bit of a mess, to be honest. So any naming convention upgrade to simplify is kind of a win in itself. But here’s where it gets interesting… Wizards claims that “5.5e” matches how the community already talks about the game. But, to my surprise, it turns out the data tells a slightly different story. According to Google Keyword Planner data (March 2, 2026) — filtered across the US, Canada, UK, and Australia — here’s how the search terms stack up: “dnd 2024” – 6,600 monthly searches (+50% Year over year growth) “dnd 5.5e” – 1,300 monthly searches (+19% Year over year growth) “dnd 5.5” – 1,000 monthly searches “d&d 5.5e” – 140 monthly searches So while “5.5e” and its variant search options is growing… “D&D 2024” absolutely dominates search volume — almost 2.5x higher, and growing substantially faster, it turns out. Now, that doesn’t mean 5.5e won’t become standard over time. Especially with this “official switch,” it will. But this is an interesting choice since – this admittedly limited data, shows – that people were perhaps by-and-large finally beginning to actually adopt the “D&D 2024” title. So, I don’t think I’ve ever mentioned this on the channel, but my main profession is marketing. One small thing that immediately comes to mind is social media hashtags. You can’t use a period in hashtags. That means: #dnd5.5e – that’s out So is it #dnd55e then (?) #dnd2024, however, totally fine All this to say is that from a modern branding and searchability standpoint, “D&D 2024” is cleaner. It’s more searchable. More social friendly. Maybe a little easier to type. So this decision feels less like a marketing move… and more like a database clarity move. This is about tagging systems. Cataloging. Digital sorting. I think D&D is still having a bit of an identity crisis, basically. And with all this, here’s the bigger philosophical question. If it’s called 5.5e… Does that mean it’s officially a half-edition? Historically, we’ve seen this before. Like I’ve referred to a couple times already, Wizards of the Coast released 3.5e back in 2003 — and that absolutely felt like a mechanical overhaul. But 5.5e? Is... more like a systemic refinement. Core math remains largely intact. Bounded accuracy is still king. Monsters hit differently, classes are tuned, spells adjusted… But I’m not sure I’d say it’s such a huge departure from 5e, like perhaps 3.5e was from 3e. The community sentiment is mixed. Some players are relieved there’s finally more clarity. Others feel like the branding mess could have been avoided entirely, and I certainly agree with that. And then there’s the group that’s been calling it 5.5e for two years going, saying: “I told you so.” Ultimately though? The name doesn’t change the gameplay. By most metrics, the 2024 rules have been widely adopted and actively played. Which means whether you call it: 5.5e 5e 2024 One D&D Or “The Patch Update” The dice still roll the same. This move feels like an administrative correction. Maybe it’s helpful for clarity, but isn’t really what D&D needs to move forward right now after all of the mixed feelings people have had about D&D, Wizards, and Hasbro. Wizards of the Coast is aligning the digital ecosystem with how people track rules versions internally. Will 5.5e stick? Probably. Will people still Google “D&D 2024” for years to come? Absolutely. You know they will. But at the end of the day… A game by any other name still crits on a 20. So, what are you calling 5.5e at your table? Thanks for watching today! If you want more weekly D&D news, rule updates, and community deep dives — make sure you like, subscribe, and ring the bell. Otherwise, I’ll see you next session.
D&D book cover: adventurers face a huge monster with a snowy-white head. Emerald and blue hues create a forest scene.
By Jacob Tegtman March 1, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=BvU0p3UMOiU Transcription What if I told you there’s a brand-new D&D book…  where your party is supposed to die? Not “might.” Not “if you roll badly.” But guaranteed total party annihilation. And now it’s officially on D&D Beyond . Today we’re diving into Faster, Purple Worm! Everybody Dies, Vol. 1 — the adventure anthology where death isn’t a failure… it’s the feature. Let’s talk about what’s inside, what’s new, and whether this is actually one of the best low-level chaos tools of 2026. It’s been a minute guys, but welcome back to Eternity TTRPG, your go-to source for all things Dungeons & Dragons — from rule shakeups to purple worm-sized chaos. Last summer, third-party RPG publisher Beadle & Grimm’s released something… deeply unhinged. A 138-page anthology. 15 one-shot adventures. All for level 1 characters. All playable in 1–2 hours. And every single one ends in a Total Party Kill. Not “balanced.” Not “scalable.” Not “talk it out with the villain.” Just. Dead. The book ties directly into the actual play series Faster, Purple Worm! Kill! Kill! , which features celebrity players like Deborah Ann Woll , Seth Green , Anjali Bhimani , and co-founder Matthew Lillard . The whole concept? Lean into the absurdity of low-level adventurers making catastrophically bad decisions… and go full cinematic disaster mode. And honestly? That’s kind of genius. Because most tables never actually experience a true TPK. And this book says, “Cool. Let’s make that the entire point.” So what’s new now that it’s on D&D Beyond ? Mechanically? Same 15 adventures. But digitally? It’s juiced up. You get: 11 Quickplay Maps integrated into the Maps VTT 25 monster stat blocks (9 brand-new creatures + 16 variants) 17 new magic items ready to drop into character sheets 8 shareable handouts That’s actually pretty solid integration. And here’s the real surprise… The price. On D&D Beyond? $19.99. Compare that to: $45 for print $25 for PDF $50 for bundle That’s… unusually reasonable. For D&D... to be honest. Which is not something we say often about digital toolsets. Content-wise, it also leans into classic D&D chaos — including trips to Strahd von Zarovich in Barovia , and even tangling with the beholder crime lord Xanathar . Level 1 characters. Against that. You already know how that ends. If you’re newer to the scene, Beadle & Grimm is known for their ultra-premium boxed editions of official 5E books. We’re talking: Physical handouts In-world props Encounter cards Massive maps High-end collector-tier stuff. Founded in 2018 by Matthew Lillard and partners, they built a reputation on premium experiences. But this anthology? This is original content. Not just luxury packaging. And that’s interesting. Because it signals something bigger: Third-party publishers integrating more directly into official digital ecosystems. That’s a big deal. Here’s why this isn’t just a novelty book. It’s low-commitment D&D. Perfect for new players. It reframes failure as entertainment. Which is actually very healthy for the hobby. We can all take a solid step away from min-maxing, and pretending like we all need to be “good” at our favorite hobby, which to me is often besides the point of “having fun.” Three - It gives DMs a safe sandbox for chaos. Ever wanted to: Drop a meteor? Let the villain monologue uninterrupted? Run a trap that is wildly unfair? Now you can. Because the players know. They signed the waiver. And weirdly? That kind of expectation-setting creates some of the most memorable tables. This also feels very aligned with modern D&D culture — faster, punchier, content-friendly sessions. And for $20 digital? This might quietly become one of the best pickup party-night modules out there. We’ve seen serious campaigns. And they’re awesome. We’ve seen grimdark epics. And they’re also awesome. But this? This is D&D saying: “What if we just lean into the madness?” And honestly… I love it. Would you run a guaranteed TPK night at your table? Or is that sacrilege? Let me know in the comments. If you enjoy weekly D&D news, breakdowns, and community chaos — hit like, subscribe, and ring the bell. And tell me: What’s the wildest TPK you’ve ever experienced? That’s it for today! Until next time all, I’ll see you next session.
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