DnD 5th Edition Reviews

This set of DnD 5th Edition reviews is part of my “Best Tabletop RPGs of All Time” article. If you want to check out more TTRPGs and see how other top-tier tabletop RPGs are ranked, visit that page.


My Review – 95 / 100

DnD 5th Edition Reviews

Dungeons and Dragons gets a shorter review than many of the games in the list of best tabletop RPGs of all time in part because DnD is by far the best. Dungeons and Dragons is the definition and standard for all other tabletop RPGs. That’s all there is to it.


Even the things that aren’t perfect about the game are still far superior to most every other game out there. And though DnD isn’t the absolute best game out there in every category, they are the best, overall.


Dungeons and Dragons isn’t a perfect game, but it’s pretty close. As close, in fact, as a TTRPG can be in today’s world. Even though I have my own TTRPG (Eternity TTRPG), I still have to say that overall, Dungeons and Dragons is better.


DnD has been around longer than any modern RPG, it’s the most popular tabletop RPG in the world, the artwork’s incredible, the game has countless thousands of playtest hours, some of the most creative game designers in the world work for Wizards of the Coast, etc. There's even an entire genre of products out there specifically labelled as DnD gifts. Dungeons and Dragons is just that huge.


I haven’t met many people who don’t like DnD. There is some hype around the game, and it certainly benefits from brand name recognition. But there’s a reason that it’s the most played RPG out there. If you’re new to tabletop gaming, or just want one gamer’s honest DnD 5th edition reviews, you’ve come to the right place.


If you’re someone who doesn’t love DnD, head back to the “Best Tabletop RPGs of All Time” article There are plenty of great tabletop games out there that play very differently than DnD.

How Unique is DnD 5th Edition: (10/10)

DnD may not seem like a very unique game when compared to other tabletop or video game RPGs but that’s only because they created the gaming systems upon which almost every TTRPG and video game RPG is built.


Trust me, DnD is unique. That’s why it’s still around. Just look at 90% of the other TTRPGs on the market today. They all emulate Dungeons and Dragons in one way or another. It’s realistic to say that other tabletop RPGs are “like DnD but with a twist.” If anything, other games are less unique because they almost always use at least one major section of ideas from DnD.


How Easy is it to Learn DnD 5th Edition: (10/10)

DnD isn’t the easiest tabletop RPG to learn. But this is also where momentum comes in. There are so many people playing DnD on a regular basis that if you’re new to the game all you have to do is ask someone at your gaming table what to do in any given scenario, and someone will know the answer. You basically don’t even need to learn the game in order to play, so long as you have people to play with.


There are also so many cool things to learn and do in DnD that chances are high you’ll find something in the game that you really love in the game, you’ll get sucked in, and then you’ll end up studying on your own anyways so that you can do even more of what you love.


After a little while of study, you’ll thereby become another asset to your entire gaming group for bits of knowledge from which other new people can learn.


5th Edition Presentation: (10/10)

DnD sets the standard for tabletop RPG rulebook presentation and organization. The books are easy to read, engaging, and to-the-point. Wizards of the Coast presents top-notch writing, editing, graphic design, and placement of all gaming and instructional material.

The DnD 5th edition core rulebooks are indeed their own form of artwork.


If you aren’t familiar yet, by the way, you soon will be. DnD basically coined the term “d20,” which refers to a 20-sided dice. Having a full array of gaming dice is basically part of the fundamental DnD presentation. If you need dice, check out my article on the Best D&D Dice out there.

Eternity TTRPG Top Sellers



DnD Lore: (10/10)

DnD has tons of lore. Expansions on core rulebooks, supplemental material, pre-made adventures, entire pre-made RPG campaigns, endless numbers of novels, videos, podcasts, video games, websites, maps, and entire books of lore. Really, there’s more lore to the various campaign worlds of DnD than you could probably ever play through.


Every campaign world in DnD has an immersive setting. Every town, NPC, magic item, and villain is available for you so that you don’t have to create your own stories if you don’t want to. Or alternatively, you can use existing lore as a foundation upon which to build your own gaming world.


Combat in DnD 5th Edition: (7/10)

Combat is one of the areas of DnD 5th edition that I don’t love. To be honest, I’ve never really loved DnD combat in any edition, and I do think there are other games out there that have better combat systems.


5th Edition is similar to 3.5 edition (yes, 3.5 edition). 4th Edition tried emulating video game combat, but I think did so pretty poorly. Where the game lies now is probably the best that combat in DnD has ever been. It’s just that DnD combat is not all that exciting to me, and it still feels like it lacks depth.


When I say that combat lacks depth, what I mean is that even with 5th edition, there’s a lot of “roll to hit,” then “roll for damage” going on. I wouldn’t consider a straightforward attack action on every turn a very tactical or in-depth game.


Also, not all classes are equal in combat, and there aren’t always a lot of unique things to do in combat too, depending on which class you play. I think that’s a bummer. Designers have gone a long way towards improving this problem, but it’s still true that wizards kill everything at high levels of play, and wizards have 10x more options than other classes (because of all their spells). Other classes make up for that with skill points and such, but to me that still doesn’t quite cut it.


Most classes do have unique attacks, powers, or spells. But if we’re comparing their repertoire to something like the attacks, powers, and spells available to classes in World of Warcraft or other top-tier video game RPGs, the classes in DnD are boring by comparison.


If you’re very creative as a player, you can always make up unique actions for your character to perform. But the game itself doesn’t provide a lot of interesting things to do beyond just attacking.


I do really like the advantage/ disadvantage mechanic in DnD 5th edition. It’s a nice improvement over previous editions that adds new dynamics to combat.


I will admit that I also love making full attack actions and rolling multiple attacks in a single round, spilling dice all over the table. At the end of the day though, DnD combat can become a grind. I attack the enemy. Enemy attacks me. My turn? Ok, I attack the enemy again… I simply wouldn’t want to do an entire gaming session in DnD that’s based on combat.


This isn’t a new critique – people have been saying it for years. Don’t get me wrong – there’s certainly drama combat in DnD, especially with a great dungeon master. But I just feel that battles in DnD lack something that keeps combat feeling fresh and engaging.


Game “Flow”: (10/10)

You don’t even need a great dungeon master for DnD to be a great game, and to get into the “flow” of the game. Even a totally new group can still have fun gaming.


For comparison, many TTRPGs do not have the same level of strength in this area. Many games have (overly-detailed) rules which can easily slow down the game. Many games are also heavily reliant upon the dungeon master (or game master) to keep the story running.

Granted, DnD groups do benefit from having a great dungeon master. It’s just that even new dungeon masters can make terrific games for their players because DnD is such a solid game system.


Also, there are plenty of great dungeon master tools for DnD available to help anyone who wishes to grow their skills as a dungeon master.

Eternity TTRPG Article Shop

DnD Artwork: (10/10)

Dungeons and Dragons has amazing artwork. I love the artwork in DnD. They set the standard for all other TTRPG artwork. If for any reason, you’re not familiar with the quality of artwork DnD provides, just check it out on any search engine.


The other great thing is that DnD has phenomenal artwork in everything they produce, from core rulebooks to supplemental material. Literally, the best artists in the gaming industry regularly complete work for Dungeons and Dragons.


Ease of Purchase: (10/10)

The Wizards of the Coast website looks great and is easy to navigate. Also, all DnD books are easily found on Amazon. Even if you know nothing about DnD (including what books to purchase) you can find that information without hardly any effort.

By the way, if you don’t know what to purchase, here you go:


  • Dungeons and Dragons 5th Edition Player’s Handbook (ideally, every player at the gaming table should have one)
  • Dungeons and Dragons 5th Edition Monster Manual (at least one person at the gaming table should have one)
  • Dungeons and Dragons 5th Edition Dungeon Master’s Guide (whoever is going to “lead” the gaming group should have one)


Also, if you’ve never used one, a DnD campaign planner can be a big help for any Dungeons and Dragons enthusiast.


Note that it’s also possible to play single player DnD if you have all of the core rulebooks.


Price & How Many Books Do You Need to Play: (8/10)

This is another downside of DnD. I will say though that it is in fact a small downside.


You’re looking at $150 for hardcover copies of the Player’s Handbook, the Dungeon Master’s Guide, and the Monster Manual – all of which you need to play DnD. Wizards of the Coast for sure knows how to monetize their products.


The thing is though, the artwork, production value, game system, and legacy of Dungeons and Dragons are so great that the price they charge is perfectly reasonable.


The reason that the price really isn’t so bad, too, is that players can also share the cost of the DnD core rulebooks, if it’s a bit expensive for anyone at the table.


If you have a 5-person group, you’re looking at $30 each. It’s not the cheapest tabletop RPG on the market. But I do believe DnD delivers value for its price. And even at $150, DnD is still a hobby far less expensive than many.


Fame & Availability of Supplemental Material for DnD 5th Edition: (10/10)

No TTRPG is more famous than DnD, and no other game has as much supplemental material for literally endless gaming. You can find a DnD setting for virtually any kind of gaming experience you’d like.


There are official settings made by Wizards of the Coast, independent settings produced by a host of game designers and writers, and unofficial settings all over the internet that would be honored if you used their material.


Speaking of, check out my article on DnD quest ideas.


The bottom line is that you aren’t played Dungeons and Dragons on a regular basis, but you’d like to, you’ll have no problem at all finding a regular gaming group for an ongoing RPG campaign.


Dungeons and Dragons is Produced By:

Wizards of the Coast


Jacob Tegtman Eternity TTRPG Creator

Jacob Tegtman

Dear reader, I hope you enjoyed my article. Tabletop gaming has been a passion of mine since I was 6 years old. I've played just about every game from Dungeons and Dragons to video games like Final Fantasy. These games have inspired me, made me laugh, made me cry, and brought me endless hours of enjoyment.


I started Eternity TTRPG - and the indie tabletop game that goes along with it (Eternity Shop) - to share my love of gaming with others. I believe that in our technology-driven age, tabletop games help bring a sense of magic and community back into our world.


If you love the site, please share it with others! I have lots of gaming-related material for you to peruse and use in your own gaming sessions. If you have any questions about the site or want to contribute, just send me a message using the "Contact" page, which you can find in the site's footer.

Jacob Tegtman Eternity TTRPG Creator

Jacob Tegtman

Dear reader, I hope you enjoyed my article. Tabletop gaming has been a passion of mine since I was 6 years old. I've played just about every game from Dungeons and Dragons to video games like Final Fantasy. These games have inspired me, made me laugh, made me cry, and brought me endless hours of enjoyment.


I started Eternity TTRPG - and the indie tabletop game that goes along with it (Eternity Shop) - to share my love of gaming with others. I believe that in our technology-driven age, tabletop games help bring a sense of magic and community back into our world.


If you love the site, please share it with others! I have lots of gaming-related material for you to peruse and use in your own gaming sessions. If you have any questions about the site or want to contribute, just send me a message using the "Contact" page, which you can find in the site's footer.

By Jacob Tegtman November 25, 2025
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=JgWieYGo8k8 Transcription In Druskenvald, the fields whisper. When the harvest is ready, something else rises too — figures of burlap and bone, lit from within by ancient green magic. Welcome to Druskenvald, under the eerie light of the Crooked Moon, where the Harvestborn stand as living scarecrows bound to the land, the harvest … life and death. Crooked Moon has become one of my favorite adventure supplements of all time, and you can get a copy from D&D Beyond. Today on Eternity TTRPG , we’re diving deep into one of the most unique ancestries in the Crooked Moon setting: the Harvestborn . Whether you’re a player looking to build an unforgettable character, you’re a DM planning your next atmospheric campaign, or just someone who loves rich D&D lore, this video is for you. We’re breaking down who the Harvestborn are, where they come from, what makes them so magically eerie, and how their mechanics and lore work together to create incredible storytelling opportunities. Think of this as your complete guide to understanding — and playing — these scarecrow-souled guardians of Enoch.” The Harvestborn are somewhat like other mechanical races in D&D — but their spooky scarecrow model just makes for great stories, worth telling. In The Crooked Moon / Druskenvald setting, each ancestry (or “species”) does have a sort of “home province,” but that doesn’t necessarily mean they only exist there. Harvestborn are a constructed species native to the province of Enoch in Druskenvald. According to lore, they are crafted with great care by the lord of Enoch, Methuselah. These constructs are infused with a vibrant, green magic — the same life-essence that flows through the fertile fields of their homeland. Methuselah is the patient, almost paternal figure who oversees the province of Enoch . He is deeply attuned to the green magic of his land — not merely as a ruler, but as a guardian of the cycle of life, death, and rebirth: under his watch, Harvestborn are created, nurtured, and eventually laid to rest so they may be reborn. Though he is a lord, Methuselah is less interested in dominion through fear, and more through stewardship: his role is tied to growth and harvest, not conquest. This makes him a figure of both authority and nurture — one who shapes his people not just from straw and wood, but with intention and magic. In a province-overview document for Enoch, Methuselah is described as: “a black-furred cat-man with eyes as gold as the province’s grain fields …” For role-playing, you could lean into the mystery of who this creator of Harvestborn is, and how his Character affects the Harvestborn: Where did this mysterious, and obviously powerful figure come from? What is his magical or ancestral origin? Does he share any soul-link with his Harvestborn creations? Back to the Harvestborn, they resemble scarecrows — bodies of wood, straw, metal, and other implements. Their heads glow, sometimes made from pumpkins, turnips, or even burlap sacks. But though they look like eerie husks, they are deeply tied to life … and to death. In their society, they live in harmony, focusing on community, fellowship, and the cycles of growth. Food is their harvest; death is their rebirth. Mechanically, Harvestborn are constructs — not quite living, but driven by magic. They are Medium size, approximately 4 to 7 feet tall, and in-game move at 30 feet per round. One of their defining traits is called Culling : when a Harvestborn damages a creature that is already wounded, they can deal an extra 1d12 necrotic damage . That’s powerful — especially when you’re finishing off a foe.” But like their creator, they’re not just about dealing death. Harvestborn also have Gift of the Green . As a bonus action, you can touch the ground and grant healing: a friendly creature within 30 feet can roll a Hit Die, and they heal the amount rolled plus your proficiency bonus. Then there’s Jack-O-Lantern : you know the Dancing Lights cantrip, and you choose whether your spellcasting ability is Intelligence, Wisdom, or Charisma. Being constructs, you don’t need to breathe, eat, or drink. That’s the Scarecrow Nature trait. And for rest, you can actually skip sleep entirely: instead, you can take a Watchful Rest — staying motionless and conscious for 4 hours, but still count it as a long rest. The Harvestborn are deeply thematic. Their existence is a living tension between life and death — they harvest crops, but they also harvest life’s vital essence. Their cycle of rebirth is intrinsic: they often live around 100 years , and then ‘accept death’ … only to be reborn again. As a player, this opens up incredible role-playing opportunities. Do Harvestborn remember their past incarnations? Do they cherish each lifetime, or dread what comes next? Are they fully aware of their created nature … or do they feel things in a way similar to how a living soul does? From a thematic standpoint, Harvestborn embody folk horror beautifully: agricultural rituals, seasonal death and rebirth, quiet sacrifices in the fields. Their identity is bound to community — they grow and heal their people, they protect the land … but they are also constructs, perhaps seen as eerie or uncanny by outsiders. On a personal level: what memories do Harvestborn carry between lifetimes? Do they still form strong bonds with people of other ancestries, knowing they might reincarnate only to find their friend permanently dead? And then, perhaps, do they fear what it means to be reborn? “So — why pick a Harvestborn for your Crooked Moon game? First, for the unique flavor: you’re not a typical D&D race. You’re a magical construct with deep roots in folk horror. Your mechanics reflect a duality: offensive power (Culling) and support (Gift of the Green), with cycles of death and rebirth.” “Second, the role-playing potential is huge. Harvestborn come built in with internal conflict, an apparently never-ending cycle of life and death, the mystery of reincarnation — that’s rich ground for character development. And third, they fit the Fall/ Harvest time aesthetic: moody fields, harvest rituals, green magic shimmering in twilight — Harvestborn are made for a Harvest/ Halloween setting.” At the end of the day, Harvestborn are more than just scarecrows — they are echoes of the land itself, vessels of green magic, and agents of an eternal cycle. In the folk-horror world of The Crooked Moon, they also bring a unique combination of power, mystery, and heart.” But now, it’s your turn. If you were to play a Harvestborn in your next game, how do you think you’d face your life, knowing that even after death – you’d simply be reborn? Would you welcome rebirth — or resist it, knowing that you’d never be able to outrun yourself, even at the end of your life? And if you could carry something forward into your next life – experiences you’ve had, love you’ve shared, desires you’ve felt, what would that be?” “Drop your thoughts in the comments — I’d love to hear your cool Harvestborn roleplay ideas. And if you enjoyed this deep dive into one of Crooked Moon’s coolest ancestries, don’t forget to like, subscribe, and hit the bell. Next time, we’ll explore another one of Crooked Moon’s lineages. Until then, may your roots stay deep, your light burn bright, and may every ending lead you toward your next beginning.
Critical Role episode 3 summary graphic. Four fantasy characters stand before a golden logo.
By Jacob Tegtman November 22, 2025
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=ZRQRNqRGVMs Transcription Hey everyone, welcome back to Eternity TTRPG.  With the last recap of Critical Role’s fourth campaign, in episode 2, the Falconer’s Rebellion echoed through Dol-Makjar, and an angel’s bloodline rewrote what faith looks like in the series. This third episode — The Snipping of Shears — pulls those threads tight: divine secrets, infernal bargains, and a murder that changes everything. As a quick note before jumping in, if you haven’t seen my prior recaps of this Critical Role campaign, you should know that A LOT happens in these 4.5hr-ish episodes. Cutting all of that down to about 10minutes means that there will be a lot of summarization. If there’s anything you don’t quite follow, check out my previous recaps for more context. This episode opens with Teor Pridesire, the soldier trying to live quietly under the banner of the Candescent Creed. Sir Filoneus Halovar hires him as Wick Halovar’s new bodyguard and sends him to the Mercanaud Couturier — a tailor’s shop with more whispers than fabric. In the bustling Ogrimok Market, where magic is forbidden, Teor runs into Sir Julien Davinos, who’s searching for Occtis Tachonis. Julien recognizes the Couturier’s name — they make problems disappear for the Halovars. Teor, unaware, walks straight toward them. Back in Villa Aurora, Wick faces a truth that upends everything he believes. Photarch Yanessa Halovar reveals that the chained celestial beneath their temple — Aetheon — is his grandfather. After the gods fell, she took Aetheon’s blood and wished for a child touched by the sun. That child became Godard, Wick’s father — and the foundation of the Candescent Creed. The Halovars turned divine theft into religion. Yanessa built her empire of light to survive a world without gods — and tells Wick the rules of faith are for others. His duty is legacy: marry well, expand Filament, and remember that true power runs in the family’s blood. For Wick, his prior belief has just curdled into this sickening feeling of betrayal. Reeling from the truth, Wick turns to the only person who’s ever been somewhat(?) fully honest with him — his demon companion, Tyranny. She was crafted by the Prince of Demonkind, to serve the Creed’s image, and bargain for souls. But Tyranny hates her purpose. She’s bound to Wick alone, and begs him not to send her back to the Pit. They realize they’re both trapped by family expectations — a believer and a demon chained by faith and fear. Wick promises she’ll stay free, and together they plan to rescue Teor before the Halovars decide that he’s expendable. In another corner of Dol-Makjar, the hunt for Occtis grows dangerous. At the Penteveral, Murray Mag’nesson stands up to Primus Tachonis himself — and is promptly cursed for it. Meanwhile, Occtis, Thimble, and Kattigan are ambushed by the Crow Keepers in the Guard Tower. Vaelus bursts in mid-fight, saving Thimble from a grisly end. The gang learns that Casimir — Thimble’s former ally — had been stealing from the Crow Keepers, paid his debt in blood, and left behind a deed to a fortress, now stolen by Cyd. It’s one more piece in a spreading puzzle of betrayal. While others fight and scheme, Thaisha and Hal Fang build something new — the Hallowed Round, a theatre rising from Dol-Makjar’s old scars. Once a temple of oppression, it’s now reclaimed for art and community. An orc musician reminds Thaisha that rebellion isn’t just war — it’s creation. At the Couturier, Teor meets the Mercanaud brothers — charming, unsettling, and reeking of infernal power. Before he can act, he’s trapped in a circle carved into the floor — a nine-pointed star that reeks of sulfur. Calastro Mercanaud begins cutting Teor’s shadow apart, piece by piece, with silver shears. Then, salvation: Wick and Tyranny arrive under false orders, bluff their way in, and free Teor. The three escape, but Tyranny’s terror says everything — they’ve just angered something far darker than House Halovar. At Hal’s home, the pieces finally align. Hal attunes to Thjazi’s sword — the Liar’s Blade — and sends Thimble north to avenge their brother. Wick, Tyranny, Teor, Thimble, and Kattigan form a small band: the Soldier’s Table. Azune watches them ride out, whispering the names of the fallen. It feels like history beginning again. At the Palazzo Davinos, the story turns from politics to nightmare. Julien watches in frozen horror as an invisible assassin reaches into his father’s skull and pulls it free. Upstairs, Occtis and Aranessa are trapped by silence as his brother Ethrand arrives — holding the Stone of Nightsong. He orders the ghouls to open Occtis’s chest and put the stone ‘where it belongs.’ And then? Fade to black. Alright — here’s why The Snipping of Shears hits so hard, and what you can learn from it for your own table.” 1. Secrets mean more when they’re personal. When Wick learns that his faith is built on a lie — that his family’s light was stolen from a fallen celestial — it’s devastating not just because it’s awesome lore, but because it’s his grandmother telling him the truth. That’s the lesson: don’t dump exposition from an old scroll. Deliver it through someone the character trusts. When revelations come from family, mentors, or companions, the heartbreak feels real, and the fallout drives roleplay for sessions to come. 2. Make corruption generational. The Halovars inherited sin. Yanessa’s wish twisted faith into an empire, Godard’s blood carries celestial power as a burden, and Wick now bears that legacy whether he wants it – or in this case, definitely not. And that’s the power of it. Tyranny’s existence also mirrors that cycle — a demon born into a contract she never chose. If you want emotional weight, make power in your world come with ancestry, or family, attached. Maybe a magic sword remembers every life it’s taken, or a player’s bloodline is blessed by something they don’t believe in. Legacy as corruption creates tension between destiny and free will — one of the best engines for storytelling in D&D. 3. Mix horror with heart. The Couturier scene in this episode works because of what’s being taken. Teor’s shadow — his literal sense of self — is being cut apart. It’s a nightmare. And it is the kind of horror that lingers. When using horror at your table, think beyond monsters. Ask, ‘What does this threaten about who the character is, at their core?’ A curse that erases memories, a haunting that whispers a player’s thoughts back to them — those are the scares that deepen character growth. And that’s it for Episode 3. Celestial secrets, infernal contracts, and one unforgettable assassination. What do you think — is Wick destined for redemption or ruin? Drop your theories below, and join me next time as we follow the Soldier’s Table north. Until then — let your dice fly, and may your stories be legendary.
Table display of D&D gifts and game inspiration; dice holders, artwork, and character cards.
By Jacob Tegtman November 22, 2025
Know someone who’s a D&D fan? Not sure what to get them for Christmas? Or are you a D&D player and want to treat yourself?
Show More