How To Write a D&D Campaign

It can be easy to get overwhelmed when writing a D&D campaign. Where do you start? What should your campaign be about? How to write a D&D campaign that's original and exciting?


Don’t worry. This article is here to help. Read on for tips and tricks on how to write a D&D campaign that you and your friends will remember for years.


Where Should You Begin?

The truth is that you can begin writing your D&D campaign from any point. I usually begin with my campaign creation from a point of inspiration or passion around something I want to tell in an epic story. I cover all of the main parts of D&D campaign creation below, but just know that you can more or less start at the point that feels right to you, then come back and fill in other details later.


How to Write a D&D Campaign – Major Elements

Overarching Story

Every D&D campaign needs some kind of centralizing idea, theme, or storyline.

Campaign World

Writing a D&D campaign means coming up with interesting locations where the story takes place.

Quests, Adventures, and Encounters

Stories need chapters, and individual events in those chapters. Adventures are your game's action.

Interesting Characters

Players need NPCs (non-player characters) to interact with. Good NPCs greatly liven D&D campaigns.

Each of the above major story elements must be filled out in some detail before a "finished" D&D campaign can be produced. Of course, remember that D&D (and any TTRPG, for that matter) is definitely a game of improvisation. Even when you have everything planned and ready for your new, brilliant D&D campaign, nothing guarantees that your gaming group will follow your story.


I've always enjoyed creating detailed RPG campaign notes, and feel that thorough preparation truly does make for better campaigns. However, it is also worth mentioning that even if you only make the loosest of general plans for your campaign, you can be successful as a dungeon master. Simply pay attention to what your party wants in a game, how they play their characters, take note of their interests, and build on things from there.


You can also reference my article on How to Start a DnD Campaign if you need help not only with campaign creation, but also with overall campaign setup and group-building.

DnD game in progress with figurines on a grid map, players' hands reaching to move pieces.

How to Create an Overarching Story for Your Campaign

The overarching story for your campaign can happen either by plan, organically as the campaign progresses, or through a mixture of both. When it comes time to create a new TTRPG campaign, I often start by answering the question of "What is the campaign about?" What makes the campaign interesting and pulls players in, generating action and drama?


Oftentimes, if you can find a compelling central storyline for your D&D campaign, you can then often add to plot, embellish the story, and find a thousand ways to expand your ideas. You may also find that your original overarching idea either fades or adjusts, as your players provide feedback via their character's actions.


Stay flexible, stay engaged with your players, and keep things simple. Try out some of the important story-building concepts below as a beginning point for your story creation. And for some extra help, take a look at my article on 3 Full-Length D&D Campaign Ideas for Your Next Ongoing Adventure.


Campaign Themes

D&D campaign themes provide central ideas, feelings, and vibes to your game. Once you have a theme, you can always think about new ideas, adventures, characters, and so on in the light of that theme. Themes help you create campaigns that are not only full of interesting encounters, but that fit together holistically.


A theme can be anything from “the chosen one must save the world,” to “a heist gone wrong.” It’s up to you, as the dungeon master, to come up with a theme that your players will find intriguing. Oftentimes, your best bet at creating an interesting theme will stem from an idea that you, yourself find intriguing. If you're creating a gaming world that you would love to explore, yourself, then you're well on your way.


Major Story Elements

I often begin my campaign theme brainstorming session by writing down ideas for one or multiple (often, multiple) of the following major story elements:

  • Event: something substantial that’s currently happening in the game world, or has happened in its past.
  • Item: an item or trinket of your own creation. This doesn’t have to be in the game's core rulebook.
  • NPC/ Villain: non-playable character. Someone influential or meaningful to the world.
  • Organization/ Nation: societies, countries, guilds, coalitions, etc.
  • Town/ Zone: places friendly or unfriendly to the players. Locations, geographical features, etc.


Note that this little bit of brainstorming may take you away from what seems like the central storyline of the campaign world. You are, after all, already dipping into the campaign's world, potential adventures, and NPCs. However, your task at this point is to 1) follow any cool ideas that come your way, and 2) think about these primary elements from the point of view of a central storyline.


For example, how could some event that's recently happened in the world be central to what you want your players to experience in the campaign? Could they find an item that is so powerful and influential that the entire campaign world is at ill ease from it (Lord of the Rings). Is there some organization that has an important goal in mind that may end up harming the players or the people they love, if something isn't done?


The options are truly endless.


Use Major Story Elements to Create Campaign Themes

Campaign themes make for better games. Use the story element(s) you create to think about how that story can be shown through virtually every piece of your campaign. If you use themes, you never need to railroad players in order to have them experience the game you've created. They kill an important NPC to your story? No problem. Make that NPC only one of many that represents the theme you're after.


You can represent a campaign's theme or central story through simple descriptions of towns and cities. Implement your theme in the way that NPCs talk, and interact with the party. Definitely make themes color items, monsters, and locations your party comes across.


If you need a great example, think about Diablo II. No matter what the player does in Diablo II, they cannot escape the fact that it's Diablo. Even if they killed important NPCs or somehow ruined important storylines, they still would be firmly set in a heavily-themed game that's sure to pull player interest.

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How to Create a Campaign World

One of the most important aspects of writing a successful D&D campaign is to build a believable and compelling world for your players to explore. The best campaigns are those where the setting feels like a living, breathing place with a rich history, and well-developed culture. If you have an interesting, vibrant world in which your game takes place, then quests, encounters, and storylines often take care of themselves.


If you’re starting from scratch, the task can feel daunting – especially if you've never done so, before. I personally love the task of world-building, and find the freedom to create literally anything I want very enjoyable.


If you want some help on world creation, there is plenty of pre-made material available to you. There are many very talented world-builders who provide either free or paid campaign worlds you can use. The best part is that you can either also use some of the adventures and overarching storylines that often come with pre-made worlds, or you can just pick and choose your favorite things, to add into your own custom campaign.


If you are set on building on your campaign world, here are the most important world-building components that can help you create a believable, magical, and detail-rich world.


Campaign Worlds Should Provide:

To keep things simple, remember the following 3-key points when creating your campaign's world:


  1. Believability/ relatability to the real world
  2. Details and depth
  3. Enough magic/ sense of wonder to grab your players' attention


Do that, and you're likely to create a strong start for your campaign.


Examples of How Your Campaign World Can Make Adventure-Creation Easy

Consider two different settings and how they might inform your game's overall adventures. Hint: one of these settings creates an organically more interesting campaign than the other:


  1. The players start out their adventure in a tavern, in a sort of average town. The tavern is filled with ordinary people, and the countryside around them is sort of vague, and also ordinary. The world at-large is a typical medieval fantasy setting.
  2. The campaign world is a series of floating islands, each no larger than several miles in diameter. Below, nothing but empty sky with purple and gold clouds meets the party's eye, with occasional cracks of lightning in the far depths.


With the first of these two examples, you'll have to work pretty hard to create interesting stories in order to keep players interested in such a mundane world. Alternatively, with the second example, you already have major questions grabbing the players' interest. They'll want to know how such a world came to be. Why are the clouds far below them, and why do they feature such interesting colors? Do people live below the clouds, etc? All these questions can serve as starting points for great adventures.


Of course, you don't need to be extreme with your campaign world, and a mundane setting doesn't mean that the story itself will be mundane. Just keep in mind that how you describe the campaign world to your players will greatly inform how they think of  the world.


Create a Town

Create a town for your players to start their adventure. The campaign doesn't have to "begin" literally in this town, but it does need to be the "home base" that players will use at the start of the campaign. This is where they will go to rest, resupply, and gather information about their next quest.


When creating your town, there are a few things you need to keep in mind.

  • Decide what kind of town it is: small village or a bustling metropolis? The size and type of town will determine the available amenities and services.
  • Decide the town’s primary industry. This will help determine the types of shops and businesses within the city.
  • Create a few NPCs with which the players can interact. These could be shopkeepers, innkeepers, or quest givers.
  • Decide what atmosphere you want your town to have. Is it a friendly and welcoming place, or is it more dangerous and seedy?


Begin by describing the town’s layout and the different shops and businesses that can be found there. Then, fill in the details about the NPCs that the players will meet. Once you have this home base created, you can fit it into your larger campaign world in which players will leave to test their skills, and adventure.


Draw An Overland Map

Even if you have zero skills in drawing creating an overland map can be really helpful, and really fun. This map can be an overview of the entire campaign world, a single continent, a single kingdom, or even smaller. I often start quite small with maps I create, and work outward as players explore more of the world around them. Alternatively, you can start big with a map of the entire world, and create more details in each locale as players head there.


You can also find a map from great map content creators from online communities like the D&D Maps Reddit.


The entire idea behind your overland map is to build structure into the campaign world you're creating.


Add Features, Landmarks, and Unique Environments

Once you have your overland map, you can start adding features, landmarks, and unique environments. This will help bring your world to life and make it more accessible to your players. Again, these map elements can be thoroughly detailed with stories and lore attached to them. Or, they can just be quick sketches that give you clues as to how you might proceed if the party explores more closely.


As far as terrain, think about adding diversity to your world:

  • Mountains
  • Forests
  • Deserts
  • Swamps
  • Rivers
  • Lakes


Once you have large areas developed, you can think about where cities, towns, garrisons, and more might go:

  • Cities often need some source of water to realistically develop.
  • Small settlements may indeed venture near difficult climates.
  • Large cities often need many smaller towns around them, to supply resources and food.
  • You can also think about how magical environments/ locales might affect local populations.
  • Also consider how monsters and "the wilds" play into your world.


Consider History, Cultures, and Religion

Finally, to create a compelling campaign world, think about your world's history, cultures, and religion. This will help make your world feel richer and more believable. Come up with enough detail that players can learn about cultures in your world and how they interact with each other. Again, the more work you put into this aspect of your campaign, the easier it will be to create unique and exciting adventures, later.


Some things you might want to include in this aspect of your world-building are:

  • Deities
  • Language
  • Customs
  • Government
  • Education


Take your time, and don’t be afraid to experiment. The most important thing is that you have fun creating your campaign setting. If you can't come up with anything terribly unique on any of these points, don't sweat it. You may find that your campaign takes off in other areas, if this one isn't for you.

Golden sunset illuminates a canyon with towering walls, revealing distant structures and a path lined with posts.

How to Create Quests, Adventures, and Encounters

Quests, adventures, and encounters are the actual "scenes" of play in D&D, and the means by which you provide structure when creating your campaign. Keeping players engaged through every step of your campaign creates fulfilling gaming experiences.  Excellent encounter and adventure design, in particular, makes up for a lack in almost any other area of dungeon mastering.


Organize Your Dungeon Mastering

Want to be a great dungeon master and run campaigns that your players will love? Get organized. If you don't have one yet, get yourself a DnD Campaign Planner. You should also take a look at the many Dungeon Master Tools available to you that can also help with this very purpose.


Why mention organization in the context of quests, adventures, and encounters? Well, here are some fantastic reasons:

  • Encounters are the basic steps to your game. If you take notes on these, you can easily string together complex plots.
  • Adventures are literally made of individual encounters. By keeping these organized, you  keep your adventure coherent and clear.
  • Quests are like the chapters of a book, and are comprised of your adventures. If these don't line up in a thoughtful way, your campaign will lose sight of its central theme(s), and will lose power and momentum over time.
  • If you take notes on player thoughts and actions during each session, you'll never run out of unique and exciting ideas for your upcoming sessions. Pay particular attention to how they respond to your encounters, adventures, and quests.


Create a Premise

Much in the way that your entire campaign should have some kind of centralizing theme(s), it's extremely beneficial to have a centralizing theme or premise for each encounter, adventure, and quest. Your campaign theme can inform your quests, adventures, and encounters, too - which is why I normally start there.


In any case, a D&D campaign is not your average story. You can’t simply write a linear plot because your players have agency, and their choices affect the story’s outcome. The premise provides you with a place to fall back when players cause your plans to go awry.


The premise answers the question of "what is this adventure about?" Your premise can be composed of any or all of the following elements, or anything else you can come up with:

  • A problem that the players need to solve.
  • An important place that you want to share with your players.
  • Villainous plots unfold before the party.
  • Allies offer to join the party.
  • An important magical item is sought after by multiple competing groups.


For ideas on adventure premise, take a look at these 20 Amazing DnD Quest Ideas and this Ultimate Free DnD One Shots Guide.


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Adventure Location

In the same way that your campaign world creation generates player interest, so too does adventure location. Whenever you're playing D&D, try to skip the boring stuff. When I say skip it, I mean just literally skip it entirely. You only have a few hours to play each week, right? Or a few hours each month, if your group only meets that often. So, skip the boring stuff.


With every moment you get as a dungeon master, play up the sense of awe, wonder, and magic as much as possible. It's almost impossible to go into the realm of "too much" when playing D&D. Just give it a shot, starting with adventure locations, and see what an impact it has on your players.


When writing your adventure locations, it’s essential to be creative and have fun. The more unique and interesting your sites are, the more enjoyable they’ll be for your players.


For your adventure locations, think about the following kinds of dramatic and magical places:

  • Dungeons where demons have been summoned
  • Ruined castles filled with ancient relics
  • Abandoned mines filled with chaos-infused monsters
  • Enchanted forests of the true fey
  • Frozen tundras where men are called as if by sirens
  • Lava-filled volcanoes about to explode


The possibilities are endless. The key is to ensure that each location is interesting and provides a challenge for the players.

When creating an adventure location, there are a few things you need to keep in mind:

  • Write out location details, including overall layout, traps, and puzzles that players need to overcome.
  • Design monsters that inhabit the space. Be sure to create battles appropriate for the level of the players.
  • Add treasures or rewards for the players to gain. Gold works great, but so do unique finds such as gems, magical weapons, or ancient armor.


If you're specifically looking for ideas when it comes to dungeons, take a look at my Dungeon a Day page. There, you can find a near-endless supply of dungeon encounters, adventure ideas, and story premises.


Give Your Players the Feeling of Control

Let your players make decisions that affect the story’s outcome. Never think that as the DM, you have total control. If you let your players take the story away from your pre-planned adventure, they will enjoy the campaign more. The key is to also not let your players completely de-rail your ideas, or they could turn your "campaign" into one joke session after another.


To make a campaign truly great, thoroughly prepare your encounters and adventures. Then, when players want to take things a different direction, let them. You then simply repurpose your plans to fit what they wanted to do in the campaign. In doing so, you give them a sense of control over their characters' journey, while also playing out your master ideas. 


Let your players think that they determine what happens next, and they’ll feel like they have a stake in the outcome.


A tabletop role-playing game in progress. Figures of dragons and warriors are arranged on a blue grid map.

Creating Individual Encounters

Once you have a picture of your desired quests and adventures at the large-scale, it's time to dive into specifics. Your encounter design as a DM will make or break your entire campaign. So, no pressure. But make sure to thoroughly prepare this part. Encounters in D&D are broken down into 3 categories: combat, exploration, and roleplaying. Every type of encounter you create will basically have one of these elements at its core.


Think of these three types of encounters as the foundation of your campaign. Build up your skills in this area and you're almost guaranteed to up your dungeon mastering game.


Combat

D&D is, at its heart, a combat game. Not everyone builds a ton of combat into their D&D campaign, and combat isn't even essential to a campaign. However, just look at the D&D core rulebooks and you'll notice how many pages are devoted to stats, spells, abilities, magic items, and other combat-related elements.


I have played campaigns devoid, or at least very light, on combat. However, I recommend that you plan in some action-packed fights to your adventures. Most players will expect the chance to fight monsters and villains, too, after all.


My number one rule of combat is that is should further the plot, or some character's development. Combat should always be a means to an end. It should never feel like it’s just there for the sake of being there. Very few players enjoy pointless battles, as they tend to feel slow-paced. If you want your battles to grab your players' attention, always give an important reason for the battle to take place, and always add in more drama.


Combat Tips

To maximize every combat encounter, try to add in the following elements:

  • Use combat as a way to unravel tension in the campaign and move the story forward.
  • Try to give players ways of "winning" the encounter that isn't just "kill all the enemies." Give them objectives, such as defending a key person, reaching a specific point on the map, or obtaining a magical item.
  • Throw in the unexpected. Try to provide some unique environmental or magical effect to each fight. In the way that your goal is to provide the magical and awe-inspiring in worlds you create, do the same in combat encounters.
  • Choose monsters that players have never seen before. For example, try Mordenkainen's Monsters of the Multiverse to show your players something truly unique.
  • Make every combat encounter either life-or-death difficult, or very easy. Difficult fights are always interesting. Easy fights show the players how strong they've become with the levels they've gained.
  • Avoid medium-difficulty fights as they tend to feel less meaningful. Only do so if you need to for variety sake.
  • Insist that players keep the pace of combat very fast. Don't let them take a long time to decide what to do on their turn. Try a 5-second rule if players are being slow. This is combat after all! Make the players feel like something's at stake.
  • If a fight is dragging on, just end it. Don't make players wait through 45-minutes of mid-tier excitement.
  • Along the same lines, have your players stand up when it comes time to roll for initiative. Give them the sense that combat is dangerous and important. It may seem unnecessary, but getting people to stand up really does change the game's vibe.
  • Use an online initiative tracker. This kind of online tool can help improve the pacing of combat.


Miniature figures on a table: dragon, cloaked figures, and a lantern with a lit candle in the background.

Exploration

D&D is all about going on adventures. And what’s an adventure without exploring? When your players are invested in your game world, they should feel like they’re discovering something new. Even if it’s just a tiny detail, like a secret door hidden behind a bookshelf, it gives them a sense of accomplishment.


One of the best ways to encourage exploration is to have a lot of D&D plot hooks. A plot hook gives the players a reason to go somewhere or do something. It can be as simple as “You hear rumors of a lost city in the desert” or “A dragon has been seen flying overhead.”


The key is to ensure plenty of plot hooks are scattered throughout your campaign world. That way, no matter where the players go, they’ll always have something to do. And if you’re really stuck, you can always fall back on the classic “dungeon crawl.”

But a word of caution: don’t make your players feel like they HAVE to explore every nook and cranny. If they want to skip the side quest and go straight for the main objective, let them. The last thing you want is for your players to feel like they’re on a railroading adventure.


Exploration Tips

Exploration comes in many forms. Try out some of the following ideas to give your players a sense that they're gaming in a real, living and breathing world:

  • Make liberal use of those small details. Have plenty of small artifacts in dungeons. Draw players' attention to the ornate comb in the corner of the noble's room. Point out how the local guard's sword is heavily dented.
  • Provide places where players can seek out adventure. You never know how a small detail you create without much thought could provide you a basis for a lengthy adventure. 
  • Don't worry if someone passes on one of your hints for an exploration hook. Anything you create can be repurposed later, in another exploration plot hook.
  • Remember that "side quests" can actually form new entire segments of your campaign. Let players decide what they're interested in when it comes to your game. If they love your story, great. If not, let them tell you where to go next.
  • Puzzles and mysteries are a form of "exploration" that many players love. Throw in plot twists and unexpected events, and you'll give players even more reason to explore your world.
  • Fall back to the overland map or world concepts you created. Is there some part of the map that players haven't yet explored? What could be present there that stands out quite a bit from what you've already shown them?


Roleplaying and Social Interaction

Some players love to roleplay. Others don't so much. However, I've noticed that nearly all players enjoy at least some roleplaying moments, if they're meaningful and move the story forward. Roleplaying is, after all, where characters come alive.


Players get out of D&D what they put into it. Make sure your players understand that if they give effort to the campaign and the way they interact with the world, they'll be more likely to genuinely enjoy the experience. As such, encourage players to build a character with a real personality, motivations, fears, and connections to other people in the game's world.


One of the best ways to encourage roleplaying is to give your players plenty of opportunities to interact with each other. Get them talking to each other. Have them share the personality traits and motives that they've created. Also, have them help each other with adventures specifically meaningful to their individual characters' stories.


Of course, any interactions that the party have can also be shared, or mirrored with NPCs. Non-playable characters are often the lifeblood of any campaign. NPCs can give players quests, sell them weapons, offer them advice, and provide much-needed rest between expeditions. But more than that, NPCs are a chance for you to show off your story-building skills. You can bring a campaign to life with well-written NPCs. So take your time and make them count.


The key is ensuring your NPCs are more than just talking heads. They should be fully fleshed-out characters in their own right. The more interesting they are, the more your players want to speak to them.


Roleplaying Tips

Make the most out of every roleplay encounter and you'll be certain to heighten the experience players have with your combat and exploration encounters:

  • As with everything else when it comes to writing a D&D campaign, make your roleplay encounters meaningful. Don't worry about haggling over the price of a weapon in a shop. Instead, have the shop owner provide the weapon, and a enemy to use it against.
  • Be sure that your NPCs have motives of their own. Do this, and NPCs can betray the party, help them in unexpected ways, or otherwise provide meaningful flavor.
  • Ask players questions at the start of every session that help them develop their characters. Pick 1-2 good questions that are specific to their goals, personality, or even their character's thoughts about what's happening in the campaign's story.
  • Have players write you some backstory on their characters. Doing so will not only help you create interesting NPC roleplay encounters, but will help them better develop their own character's roleplaying.


Detailed statue of three-headed dragon in teal, purple, and gold.  Heads snarling, clutching a crystal on a grey base.

Populate Your World With Interesting Characters

Another important aspect of writing a successful D&D campaign is populating your world with exciting characters. No one likes generic NPCs. So , take the time to create a diverse cast of characters that your players will remember long after the campaign is finished.


My own players fondly remember "Saint Ranroth the Sunblade" who betrayed the Eternals by destroying the tree of life. He was a pathological liar, who always seemed like he was maybe on the players' side, even while thwarting some of their largest plans. Each session, he could be a tremendous ally, or a terrifying adversary. The players love-hated him, which created a tremendous amount of drama and excitement for the overarching story.


Interesting characters fuel your roleplay encounters more than anything else. However, they also fuel both your exploration encounters and combat encounters, as they provide meaningful reasons for events in your campaign to take place.


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Non-Player Characters

NPCs further the plot, provide exposition, and give  players someone to interact with other than the monsters they’re trying to kill. Consider using the following DnD Character Ideas to make your process of creating NPCs much faster.


  • Every NPC should serve a specific purpose in your campaign. Make sure that the purpose is clear to you, even if it isn't to the players, as they can discover the purpose over time.
  • Give them a stand-out personality. When writing an NPC’s personality, think about what makes them unique and interesting. The more personality you can give your NPC, the more memorable it will be.
  • What are their quirks?
  • Do they have any catchphrases?
  • Are they always serious, or do they have a sense of humor?
  • What's they're background, and how does that inform their place in the campaign world, currently?


Villains

No D&D campaign is complete without a compelling villain. By making them unique and interesting, you can keep your players hooked for the entire campaign. Here are a few tips on how to write a D&D villain that will keep your players coming back for more:


  • Make sure your villain is visually distinct. Describe their appearance in a way that is both striking and unique.
  • Give your villain a name that is just as distinct as their appearance. A good villain name should be evocative and help to establish their identity further. Avoid using generic titles like “the orc chieftain” or “the goblin king.” Instead, develop something specific to your villain and indicative of their personality. For example, the orc chieftain could be named “Gruumsh the One-Eye,” or the goblin king could be called “Skurge the Flesh Eater.”
  • Give your villain a clear motive. Players need to understand what the villain wants to feel invested in the conflict. Is the villain trying to conquer a kingdom? Kidnap a princess? Destroy a magical artifact? Their motive must be something the players can get behind, even if they disagree with it.
  • Make sure your villain has a unique fighting style. This is another critical way to make your villain stand out. When designing your villain’s fighting style, think about what would make them a challenging and memorable opponent. The villain should also have access to unique abilities or items that will help to further distinguish them for years to come.


Person overlooking a mountain valley bathed in sunlight, vibrant green and blue hues.

How to Write a D&D Campaign – Final Notes

So much goes into writing a D&D campaign that players will love. It really isn't any single thing that makes a campaign great. If you follow the tips provided above, you're certain to at least get really close to having a fantastic campaign. Use the following tips, as well, as additional help. Think of this category as something like a more advanced series of items to implement once you have the basics mastered.


You Don't Always Need Humble Beginnings

One of the most important things to remember when writing a D&D campaign is that you don't have to start small. Many adventures, for example, start in a tavern. That's small. It's ok to instead make your first adventure as grandiose and epic as possible. You can even start the campaign at a higher level, instead of going from Level 1.


It’s About the Journey, Not the Destination

When writing your D&D campaign, it’s essential to keep the journey in mind, not the destination. Your players should feel like they’re on an epic quest, with danger and adventure around every corner. They should definitely feel like they're driving their character's journey. And most importantly, make sure everyone's having fun! Don't worry about having the "perfect" encounter, adventure, or storyline. Let things unfold, organically.


Secrets and Plot Twists

Whatever the players think is happening, consider how you could create a twist in the plot. Obviously, you have to come up with a story that makes sense as to why the players would think they know what's happening. However, the story also has to have room in it to make it so that what seems to be true simply is not. Don't overdo things when it comes to secrets and plot twists. However, if you can tastefully implement this story device into your campaign at key moments, you'll drastically increase player investment.


Think About Rewards and Consequences

Every action your players take should have consequences, whether they’re good or bad. This will make the story more believable and help your players feel like their choices matter. For example, if your heroes steal from a local merchant, they should expect to be chased by the guard. If they manage to get away, they’ll have to find a way to spend the stolen goods before it’s too late.


Consequences also create a sense of risk and reward. If your heroes know that there’s a chance they could get caught, they’ll be more cautious about their actions. This adds an element of suspense to the story and keeps your players on their toes. Punishments and rewards don’t have to be complex. They can be as simple as losing or gaining favor with the local lord, or NPCs. But whatever you choose, make sure that consequences are appropriate for the action taken.


For example, if your heroes kill a dragon, they should receive a hefty reward. But if they simply slay a rat, the reward should be less substantial. The same goes for punishments. If your heroes make a mistake that costs them dearly, they should suffer the consequences. But if they simply take a wrong turn, the penalty shouldn’t be too severe.


You also need to be consistent with your rewards and punishments. If you’re too lenient, your players will take advantage of it and start making reckless decisions. On the other hand, if you’re too harsh, your players will become frustrated and give up. Finding a balance that works for you and your group is essential.


Moments of Vengeance

Every action in your campaign has consequences. Sometimes, that consequence will be resolved by an act of vengeance on the part of someone that the party harmed. As above, if your party kills a dragon, there may be another dragon who wants vengeance for the act. Or perhaps a wizard wants vengeance as the dragon was his ally.


If you use the idea of consequences and vengeance in your campaign, it's nearly impossible for a campaign to ever actually end. Human nature is such that every action leads simply to more possibilities and actions that spawn as a result. Use that in your campaign and you should have an endless string of related concepts that will give you ideas for ongoing adventures, and keep your campaign's central theme intimately cohesive.


Play a Game Where Everyone Contributes to the Story

As a final tip, try involving your players as much as possible in your world creation and campaign story creation. No matter how good your ideas are when it comes to writing a D&D campaign, I almost guarantee you that your entire gaming group, together, can come up with better ideas.


There are games out there such as the Eternity TTRPG Roleplay Game where every player contributes to the campaign's overall story. Basically, everyone shares at least a little part of the dungeon master role. The result is that each campaign is entirely unique, far more interesting that you can imagine, and comes loaded with an immense amount of creative ideas for your game.


Try it out! The Eternity TTRPG core rulebook comes with everything you need to create your next great tabletop gaming experience.

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Jacob Tegtman Eternity TTRPG Creator

Author - Jacob Tegtman

Dear reader, I hope you enjoyed this article. Tabletop gaming has been a passion of mine since I was 6 years old. I've played just about every game from Dungeons and Dragons to video games like Final Fantasy. These games have inspired me, made me laugh, made me cry, and brought me endless hours of enjoyment.


I started Eternity TTRPG - and the indie tabletop game that goes along with it (Eternity Shop) - to share my love of gaming with others. I believe that in our technology-driven age, tabletop games help bring a sense of magic and community back into our world.


If you love the site, please share it with others! I have lots of gaming-related material for you to peruse and use in your own gaming sessions. If you have any questions about the site or want to contribute, just send me a message using the "Contact" page, which you can find in the site's footer.

A high-angle shot of a crowded Gen Con event
By Jacob Tegtman April 5, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=OvxI1GXJerE Transcription Dungeons & Dragons is finally returning to the convention that made it famous… Well, to be clear – D&D has been at Gen Con. It’s just, they haven’t really had much of a presence there in recent times, have they? Even small indie games have had substantially larger booth space than D&D, which I saw last year basically tucked into a back part of the convention, with pretty much only like a 20ft by 10ft space, or so. If even that, to be honest.  And, I don’t know for sure if D&D hosted many events even at Gen Con while we were there last year. Maybe a few intro games? But if I had to guess, I would’ve said that third parties may have run more games of D&D than Wizards of the Coast D&D actually did. But, after years of near silence… Wizards of the Coast is planning to go all-in on Gen Con again. The real question is—why now? We’ve seen a lot of relatively big moves from D&D recently, back towards its roots. So, what could this move mean for the future of D&D? Welcome back to Eternity TTRPG—your go-to news channel for all things D&D and tabletop roleplaying. Today we’re diving into some pretty cool news, hopefully a big positive for the direction of D&D: Wizards of the Coast is officially heading back to Gen Con with D&D in a big way. And honestly… it’s kind of a full-circle moment. Let’s rewind for a second, because – as I’m sure you know – Gen Con isn’t just any convention. Gen Con was founded back in 1968 by Gary Gygax, which to be honest, I didn’t know prior to researching for this video. If you aren’t aware, Gen Con is now the largest convention for tabletop gaming, I believe in the world. It pretty much takes over Indianapolis for, what I can confidently agree, is probably indeed the best 4-days of gaming each year. At the time they started Gen Con, it was just a small gathering of wargaming fans in Wisconsin. But in 1974… Gygax and Dave Arneson released Dungeons & Dragons. And, of course, Gen Con became ground zero for spreading the game. People would attend… pick up a copy… and bring it back to their hometowns. That’s how D&D went viral—before the internet even existed. It turns out, hanging out with cool people in person and telling them about cool things – in person – was the OG way to go viral. Go figure! So, fast forward a few decades… Gen Con became the D&D event, and the tabletop gaming event. We’re talking massive tournaments, huge reveals… Even a life-sized castle built on the convention floor. Yeah. That actually happened. But then something changed. In recent years, Wizards of the Coast has been… mostly absent. No big booths. No major announcements. Just a quiet, minimal presence—if anything at all. I can tell you, seeing them last year, like I mentioned, was not only unimpressive... it was actually even a bit sad. I remember thinking like, “why are you guys even here? Why bother with a booth like this, it just makes D&D look bad.” And other fans have definitely noticed, as well. At this point, you might be wondering: why did D&D pull away from Gen Con, anyways? Well, a few key things: First—vision. Wizards started treating D&D less like a game… and more like a global entertainment brand. You’ve seen the somewhat recent movie, and then they’re pushing hard towards digital tools now, trying to make D&D more of a money-making tool, and truthfully, less like the D&D we all grew up with. Second—control. Instead of third-party events like Gen Con, Wizards of the Coast has focused more on their own events. Things like MagicCon – for Magic: the Gathering. And third—cost. Giant booths and live events are expensive, and brand-awareness is not the same as actual sales. In the past, the cost of large-scale live events like Gen Con was a no-brainer investment for D&D. However, with D&D moving towards online income, live spaces didn’t fit the online vision as much. So, for years… Gen Con became more of a community-run D&D space rather than an official one. But now—that’s changing. Wizards vice president recently confirmed that Gen Con is about to become a major part of D&D again. Starting this year: Annual D&D product roadmaps will be revealed at Gen Con They’ll have more organized play events And there will be more direct and “official” community engagement Like so many of the things Wizards of the Coast is doing to push live community spaces for D&D again, this could be a big deal – but it will depend on how well Wizards follows through. Still though, this is the first time in years that Wizards is showing up where the players are. And this could be a great sign for the game. With all of this in mind, we now finally come to the question: “why is this happening now?” There are a few clues. First—D&D has lost major momentum in the TTRPG space, let’s be real. Wizards is, perhaps, finally recognizing the loss of their community, and is trying to reconnect with the people who built the community to begin with. We’ve seen: The return of classic settings – which is ok. I’d rather see – as one recent viewer put it – new stuff. Done in the classic way, but some actual new content would be x1,000 times better. And they are creating new seasonal content, with a return to D&D modules and “official” weekly play at local gaming stores. Second… Let’s talk about the elephant in the room. The OGL controversy. You may remember: The Open Gaming License controversy, when Wizards of the Coast tried to change D&D’s open license in a way that would restrict creators and potentially take a cut of their earnings—sparking massive backlash and boycott calls from the community. That moment seriously damaged trust with fans. And while things have cooled down… This Gen Con push feels like a very intentional move to rebuild goodwill. Because if you want to win back hardcore players—You show up at Gen Con. That’s all there is to it. Show up, and make it fucking awesome. Make your audience actually want to play D&D again. For a lot of fans, D&D skipping Gen Con has felt… weird. It’s the place where the fire started. It’s been the biggest name in tabletop ghosting the biggest tabletop event in the world, in favor of creating online subscription models that very few people actually want. But now? This feels like a return to D&D’s roots. A reconnection with the community that built the game’s legacy in the first place. So the real question is—Is this just good PR… Or the start of a new era for D&D? What do you think? Drop your thoughts in the comments. And if you enjoyed this coverage, don’t forget to like, subscribe, and roll for initiative on the next video. See you next time!
Map of the Tomb of Horrors dungeon on aged parchment
By Jacob Tegtman April 2, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=1r1xrclddMg Transcription A piece of classic D&D is coming back… but just not in the way you’re probably expecting.  Wizards of the Coast just announced something that could completely change how many people play D&D—short, fast, old-school adventures are officially returning. And yeah… I don’t think it’s an exaggeration to say that – as so often, depending how well Wizards of the Coast can execute this – this might actually be the biggest shift in D&D storytelling in years. Welcome back to Eternity TTRPG—your go-to party member for all things Dungeons & Dragons. Today we’re breaking down the return of adventure modules, what they are, why they disappeared, and whether this is actually genius… or just another attempt at recovering a piece of D&D that’s already forever sailed away. So this all dropped at Gary Con in Wisconsin, which was March 19-22 nd , just a couple weeks ago. That’s where the VP of D&D, confirmed that modules are coming back. If you’ve only played modern D&D, where campaign books are pretty lengthy and involved, this might not sound like a big deal. But it kind of is a big deal because this isn’t just a new product… it’s a return to D&D’s roots. If you aren’t familiar though, you may be wondering – what even is a module. Back in the early days of D&D, adventures weren’t the massive 300-page books we often see now. They were short, self-contained stories. Think quick, punchy adventures you could finish in a session, or a few sessions. They’re basically the ancestors of modern one-shots. These official D&D modules, which many people absolutely loved, were: Compact Easy to run And perfect for drop-in play, for someone who was a more casual gamer, or for someone visiting, etc. But when 3rd Edition rolled around, D&D itself changed. The game shifted toward long-term campaigns, deeper character progression, and structured storytelling—and short, standalone modules just didn’t fit that vision anymore. This brings up a whole order of interesting topics, but in older D&D (like Basic and Advanced D&D), the game assumed: That you’d jump between adventures Characters might not persist long-term – character death was super common, and almost even encouraged And the game world was only loosely connected Modules fit that style of play perfectly, where you can do a quick story that is compelling, engaging, and action-packed, but doesn’t necessarily try to stretch that narrative further into a larger context. 3rd Edition D&D, however, introduced: Strong character progression systems Feats, skills, and long-term character builds And most importantly, a focus on ongoing story arcs Suddenly, D&D became about one continuous campaign , not disconnected adventures. So instead of a: “here’s a dungeon for the weekend” vibe, the design officially shifted to: “Here’s a story that takes your party from level 1 to 15.” It’s also worth mentioning that with 3rd Edition, Wizards of the Coast introduced the Open Game License . This license meant: That third-party creators could make adventures freely Which inevitably led to the market becoming flooded with small modules. So, Wizards of the Coast didn’t need to focus on short adventures anymore. Instead, they could focus on: Big flagship campaigns that had a longer shelf life, and felt like “premium products” With lengthier and more involved Core rulebooks While letting the community handle smaller content. To summarize the history, D&D once offered “official” short, adventure modules. That module model shifted towards third-party creators with the advent of 3 rd edition. And now, 26-years later, third parties are still creating modules, but we’re also making a return to “official” D&D modules. Moving forward, the big question is: what’s different this time? According to D&D, these new modules will tie into something called D&D Seasons, which we’re already getting a taste of now. Think of themed content sets that last 3–4 months. The idea is basically what Magic: The Gathering does with Card release sets. Every 3months, they roll out a new set, where players can access new content. In this case, with D&D, it’ll be a new module, or new modules, based around the current set’s theme. Examples could include what we’re seeing with D&D Seasons for 2026, which will each be three-month series: starting with the Season of Horror followed by the Season of Magic And then finally into the Season of Champions with this year’s last quarter. These modules will also connect to organized play programs—in-store sessions of quick weekly games, for those local gaming stores that want to host these kind of events. Overall, D&D is aiming for: · Faster games available to more people (meaning like 1-2hr adventures, rather than the 3-4hr sessions many longtime players often get into, with their friends) · Easier prep for DMs · And more accessible D&D overall We don’t know yet if these will be physical books… or digital-only releases on D&D Beyond. My guess is there will be both available. Modern D&D campaigns are a big commitment. Oftentimes you’re talking months… sometimes years. And I love that, personally. Probably, anyone who’s ever been part of a long-term successful campaign, does love that style of play. However, I think we can all agree that not all campaigns make it very far, at all. I’ve heard the average number of sessions for most campaigns is 7-usually before they fall apart because of scheduling conflicts, lack of player interest, etc. So, modules are intended to flip the current long-term D&D campaign dynamic, not by replacing them, but by giving players another choice. Modules aim to be: Easier for new players to get into D&D, Create less pressure on DMs/ less requirement for preparing a long-term campaign And provide alternatives of play that could be perfect for people with busy schedules This might be what the D&D community needs right now. At the end of the day, these modules coming out will essentially be one-shot sessions that D&D provides for anyone who’s interested. My take is that Wizards of the Coast has made some tremendous mistakes with D&D. However, I do think that an attempted return to D&D roots is move that makes a lot of sense. The real test will be in the execution. If Wizards can make this new generation of D&D modules feel fresh and meaningful—then they may be onto something. If, however, they feel like recycled content with a new label… Players will notice, and probably resent the effort a little bit. I’m just saying, we don’t need more content on Strahd, Tomb of Horrors, and many other adventures Wizards has been putting out. I’ve been playing those adventures since the original modules and content on them. Personally, I’d be looking for something new, and that means Wizards of the Coast would have to get creative and take some content risks. Which... is something big companies don’t often like to do. That’s why we see so many remakes of movies, rather than exploring new ideas. Corporations often prefer “safe money” over true art. But, what do you think? Are you looking forward to trying these new modules… or will you stick with longer campaigns? And do you think D&D will create some awesome new concepts, or try to rehash the same adventures people have been playing for years, in hopes of relying on past success? Drop your thoughts in the comments. And if you want more D&D news, updates, and tools to make your games smoother and more enjoyable—hit that like button and subscribe. I’ll see you guys in the next one.
Josiah Mork: Creator of Starset RPG and Pen RPG
By Jacob Tegtman March 27, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=9In5gaz65s8 Transcription Jacob Tegtman (00:01.848) Hey everyone, welcome back to Eternity TTRPG, where we cover really everything tabletop gaming related, Dungeons and Dragons. Now we're finally jumping into some of my favorite topics, which is game design and getting to spend some time with great game designers up and coming, people who are established. And today we're interviewing Josiah Mork, who is the owner and lead designer for Hoodwink Gaming. So welcome to the show. Thanks for being part of the channel. Josiah (00:33.142) Thanks, it's my pleasure. Yeah, it's been great working with you on eternity and getting to swap ideas. So I'm really looking forward to being able to talk through some of that process with you. Jacob Tegtman (00:44.478) Awesome, Ben. Yeah, I've been looking forward to talking with you. We always have a lot of fun when we catch up. I think this will be a really good conversation. There's so many parts of your mini games that I've wanted to ask you about for really such a long time. And it always felt like we were working on some project or discussing something. But now I have a really good excuse to just nail you down for maybe about an hour-ish and hopefully die. Josiah (00:50.028) for sure. Josiah (01:04.972) There's always something. Jacob Tegtman (01:14.352) dive into what you've been doing and why you've made some of the decisions you've made, which I think are really interesting. I'm sure, yeah. So do you just want to maybe start by introducing yourself more, know, who you are, what you've done, and yeah, where you're going? Josiah (01:20.968) Yeah, well, hopefully I've got good answers for you. We'll see. Josiah (01:32.756) Yeah, absolutely. yeah, like you said, I'm Josiah. I'm from Michigan, living just out of DC now. I've been designing and playing board games since my early teen years, I guess I would say. I love creative writing and storytelling. That's just been an amazing way that I've found to connect with people. My actually my undergrad and my grad degrees were in communication and looking at how communication connects us and strategies and stuff behind it. And so I find a storytelling a really compelling way to do that. But before I had gotten into school and whatnot, you know, I was homeschooled. I was in late middle school and I was reading this cartoon. Maybe you are some of your viewers have seen it. Foxtrot comics. And there are some. Have you seen it? Highly recommend, highly recommend. It's really funny. But there are these two characters, they're really nerdy middle schoolers and they were playing Dungeons and Dragons in the comic. And I just thought that was the coolest thing. But my parents, know, I'm a Christian, my family's Christian, fairly conservative. And so my parents were more familiar with like the 80s, like D &D scare, very like Stranger Things season four. And so they were not really like, yeah, not really D &D fans. And so I was like, well, okay, I'll create my own. And that's how it all got started, you know? And then it was a great way to make friends in my Boy Scout troop. You know, we would play, would swap ideas, we would... Jacob Tegtman (02:51.202) Yeah. Jacob Tegtman (02:55.042) Not too far ahead. Sure. Yeah, that's awesome. Jacob Tegtman (03:08.12) time. Josiah (03:09.972) you know, go on crazy adventures with rules that didn't quite work. And then over time, you know, I just realized that there were all of these cool avenues to explore and storytelling that D &D didn't necessarily do. And so I just felt really passionate that this is my way to connect with people and connect people with each other is through writing games. Jacob Tegtman (03:30.508) That's amazing, man. Yeah, it's funny, like the ways that we get into gaming too. Like you mentioned those comics. you ever see Dexter's Lab? Okay. Okay. Yeah, was probably a little bit before. Yeah. There was like an episode that was kind of based on Dungeons and Dragons and I saw it when I was like six and that's what got me into it as well. yeah. Josiah (03:39.616) Yeah, well, I've heard of it. Yeah, I've seen clips from it, yeah. Josiah (03:52.972) It's so funny how it seems like every show, know, Community, Gravity Falls, like, there are all these shows of every different genre, and they all have like a D &D episode for some reason. And I love it, you know, but it's so random. Jacob Tegtman (03:58.679) Yeah. Jacob Tegtman (04:05.302) Yeah, like all of them. Me too. Yeah, it is. Yeah. I also like the takes that different shows have on like nerdy board games. I think was like Parks and Rec had, I forget what the game was called. Yeah, you remember it. Yeah. Yeah. That's so cool, man. Josiah (04:20.81) The Cones of Dunshire, yeah. Love that, love those episodes. Jacob Tegtman (04:29.646) So I want to dive into really all of those things more, but what games do you currently have available then? And your website will post it in the show notes as well, but it is hoodwinkgaming.com for anybody who's interested. But yeah, tell us about some of your games. And again, I feel like I want to go into all of these in more detail, but yeah, give us the summary version at least for now. Josiah (04:55.05) Yeah, so it's a little deceptive at the moment. My original titles and kind of most of the games that I do are under the pen brand. So play easily now is the acronym. We have war game and role playing game. But actually neither of those are on the market at the moment. If you go to my website. Yeah, we've got a landing page for the war game and we've got a preview for the RPG. And I've actually I've got. Jacob Tegtman (05:12.95) really? I was actually, yeah, I was checking it out like yesterday, so. Josiah (05:24.422) know, prototypes of both of those here. But they are still in development because of various different reasons of wanting to refine some ideas or just kind of ended up having to move to other projects. So they're almost launch ready. But those are the ones that they're working on for the longest, just the newest editions aren't quite together yet. Jacob Tegtman (05:29.506) Yeah. Jacob Tegtman (05:39.96) Yeah, nice. Jacob Tegtman (05:46.04) Very cool. Josiah (05:46.164) And then the one that I've been working on most recently, and that we actually have a new project launching next month for, is Star Set. So that's a grimdark survival-oriented tabletop role-playing game that we launched initially a couple years ago, and then just did a relaunch for the second edition for, which is much more crunchy, much more mechanical, and much more narrative-based. So really looking forward to building that out. Jacob Tegtman (06:14.542) That's exciting. Yeah, I can attest that game is great. I really enjoyed reading through it. Everything from the design of the book to the art to the way that you have, especially character building in that, I find super fascinating. You can just tell, yeah, the amount of attention to detail in there is like out of this world. It really feels like you guys... Josiah (06:27.148) Well, thank you. Josiah (06:34.966) haha Jacob Tegtman (06:38.478) You took the lore of the game and you baked it into every part of the game. Whereas I think a lot of games like, you know, we'll talk about D &D later. D &D is like the game that's everything. So it's like if it's in a fantasy book or movie or anything, like we'll just jam it into D &D somehow. And, you know, that kind of has its place, but for building characters and stuff, you know, like you don't, I don't know. It's supposed to be able to fit many different genres and you're Josiah (06:42.72) Mm-hmm. Jacob Tegtman (07:08.612) I think what's so cool about is that when you're playing Star set you're playing Star set Because from the very first thing you do with your character and their background and their skills even it's all based on the lore of this whole universe so Josiah (07:19.902) Mm-hmm. Well, I really appreciate that. mean, that's really the heart behind it when we were working on it is, we had a story that we wanted to tell and really created the universe to tell that story. And one of the things, you know, that I picked up studying communication is that, you know, we are attracted to details. And even if it's details that, we haven't necessarily experienced in our own lives. Jacob Tegtman (07:24.963) Yeah. Jacob Tegtman (07:33.324) Yeah. Josiah (07:45.324) hearing vivid details or strong emotions in other people's stories lead us to be more connected with them. And so that was something that we really trying to flesh out in Star Set. hopefully, from the sound of it, it hopefully worked pretty well. Jacob Tegtman (08:00.352) I think so, yeah, absolutely. So, what do we talk about first, man? Like, what do you want to talk about first? Josiah (08:01.452) Thank you. Josiah (08:11.672) man, I could talk about games for hours and hours, so I better let you guide that conversation. Jacob Tegtman (08:14.944) You Okay, I just want to make sure we cover like the big things before we dive into the nitty gritty here. Yeah. Yeah. Josiah (08:24.332) Oh yeah, I mean, I kind of touched on, I guess I'll throw it out there. I'll throw it out there because it's really important to me and kind of the company into my story. you know, I really do, we're about to, you know, dig into the nitty gritty, like you said, and Dungeons and Dragons and all the different games that are out there. And I just think, you know, before whether you're a designer or a player, whenever you kind of step into a game, I think the most important thing and what's in the mission kind of a hoodwink that we try and do differently is that Jacob Tegtman (08:33.379) Yeah. Josiah (08:53.446) The games are just kind of an excuse. Really, the games are just an excuse to get together with people and to have FaceTime with people. And if working in social media has taught me anything, it's that people need that more than anything. And that's why we call it Hoodwink Games, because we kind of have all these substitutions. get hoodwinked into thinking that socializing is something that it's not. And really, it's just fellowshipping with people and joining community and FaceTime with people. and talking about the things that matter with people. And the way to do that from going from stranger to best friend is in my experience games. And so that's kind of the heart behind it. Jacob Tegtman (09:30.658) That's been a cool one. Yeah. You know, it's interesting you bring that up too, because this is something I've been thinking a lot about recently, especially as everybody's been seeing more AI come into their work, into their lives. And I feel that more than ever, people are wanting that human, real human interaction. And so as good as video games are looking nowadays and as fun as MMOs are and stuff like that, and I like all of those, I don't think I've Josiah (09:43.628) Mm-hmm. Josiah (09:53.004) Mm-hmm. Jacob Tegtman (10:03.53) found anything that's as fun is sitting around playing a tabletop role-playing game, especially in person. mean, even, you over FaceTime like this is fun, but something in person about it just makes it one of the best experiences. Josiah (10:09.729) video. Josiah (10:13.142) Mm-hmm. Josiah (10:18.686) It really does. It's those shared memories and those shared jokes. And, you know, I work in politics, doing social media for politics. And the thing that just aggravates me the most about politics, but also religion, people say don't talk about politics or religion because people care about it so much. And it's like those are things that we care about the most. So we should be able to share those with people. But you can't because as soon as you bring them up, you know, there are all these walls. Jacob Tegtman (10:39.48) Sure. Josiah (10:48.062) and games when you've played for a couple hours with somebody and slayed the dragon and made a couple jokes, then it's like, well, okay, now your opinion isn't the thing that I'm defining you on. The thing I'm defining you on is that, you know, you're a half drunk elf paladin or something like, and it just makes it easier. Jacob Tegtman (10:48.416) I guess. Jacob Tegtman (11:04.014) Yeah, that's so true. That's so true. Yeah, it definitely does break down those walls and give you that sense of shared history, even if it's like a shared mental history, theater of the mind. So, yeah. Josiah (11:17.27) Mm-hmm. Mm-hmm. It's great. Jacob Tegtman (11:21.428) I agree, man. Especially when you're doing... So I haven't read through all of the lore of Starseq. There's just so much in there. I've read through a good deal of it. But I think one of the things that also stands out about at least that game, because I know Penn's still in the work in progress... Josiah (11:38.599) the Jacob Tegtman (11:39.446) that, you know, it does cover a lot of political things and it covers a lot of religious things and you aren't like pushing a view on anybody, but just inherent to human life is politics and religion. so games let you approach these topics like in ways that allow you to explore what could be, but in a safe way and have conversations about what could be without feeling like you're being attacked or told. Josiah (11:53.856) Mm-hmm. Josiah (12:01.6) Thank you. Josiah (12:05.836) Mm-hmm. Yeah, that's really the, again, I'm really glad that you feel that way about the game, because that was one of the number one priorities of it, is there are just really hard conversations that should be had. And that game kind of came out of COVID, where there were a ton of hard conversations people were having. And I think you could spend every day, every minute of every day with people. Jacob Tegtman (12:14.306) Yeah, for sure. Jacob Tegtman (12:23.394) That's right. That's right. Yeah. Josiah (12:33.664) but if they're not people that you feel like you can have hard conversations with, then you haven't really been in community at all. And so having a medium like that, where, like you said, I don't wanna tell anybody what they should believe. There are things that I believe are true about God and about the world and about politics and stuff, but those things have to exist relationally for them to mean anything to you. so... Jacob Tegtman (12:39.788) Yeah. Jacob Tegtman (12:50.542) Sure. Josiah (12:58.954) to have that space to kind of explore and talk and then role play through just makes it fun for one thing, but also makes it so much more personal and so much more impactful, I think. Jacob Tegtman (12:59.374) Yeah. Jacob Tegtman (13:10.772) I agree. So what is the next thing that you said you're working on with StarCert? I think I missed that when you mentioned earlier. Yeah. Josiah (13:16.436) Yeah, so my co-writer, Emily, and her husband Ryan, who did some of the art for Star Set, they have actually written and illustrated the first campaign for it. It's called Echoes on Mars, and that's going to be launching on Kickstarter next month. Jacob Tegtman (13:31.822) Okay. Okay, cool. That's exciting, man. So what number of Kickstarter will this be for you? Josiah (13:38.092) Thank Josiah (13:42.294) That's Josiah (13:46.806) seven maybe six or seven. I'm doing this one well I should say the plan is to do it on Kickstarter but changing a lot of things. I'm still talking to them. My wife is behind me. I still want to talk through some of them with her because it had a lot of very negative Kickstarter experiences and learned a lot. So we're to do this one if we end up doing it on Kickstarter very slim down and very different than some of the other ones. So it's a constant learning experience. Jacob Tegtman (13:48.43) Sort of. Yeah. Jacob Tegtman (13:54.094) Sure. Jacob Tegtman (14:16.43) Yeah, I just remember I feel like every year or so I feel like you're launching something on Kickstarter successfully. So at least from the outsider's view looking in, it's like man Josiah just knows what he's doing with selling games. Josiah (14:30.208) You Well, I know a little bit more than I did last time and that's the goal. Yeah.
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