Lingering Shadows Part 4 - Campaign Stories

Read for fun, or for ideas in your own campaign!


This story comes from the community-created Share Your Campaign series, where the Eternity TTRPG community shares their games' stories. To see more from this series and others, visit the Share Your Campaign page.


Drogi

 

Drogi’s eyes flickered open, going from blinding darkness to blinding light. As his vision cleared, he could tell he was in the room he once flew out of. Everything was cleaned and back in order. His arms felt heavy and his neck stiff. He heard a woman gasp just out of sight by his side. She skirted the bed into view, leaned in to make sure he was not only awake but aware as well. “H-how long has it been?” Drogi asked. The woman left the room as fast as she could. Muffled, Drogi could hear that she was trying to get someone’s attention.

 

He went through all his moving parts to see if they were, in fact, still movable. He went through his body parts like a mental grocery list. Leg: Still no. Hips: no. Lumbar lateral flexion and rotation: still good. Shoulders: shruggable. Elbows: heavy under covers. Hands: fist good. Neck: tight. Jaw: aching. Speech: “Fuck. Shit. Damn. Ass.” He chuckled to himself and sighed in relief, “Still got it.” His hearing started to improve, demonstrated by the ability to hear the footsteps approaching in a hurried cadence. He shrugged his shoulders and brought his arms out from beneath the covers. He rubbed the sand out of his eyes noting how big they felt as they rolled down his temple and cheek. He used his thenar eminence to push his eyelids up and around, massaging his eyes underneath. Reaching overhead, his shoulders popped and clicked releasing trapped gas and encouraging a short endorphin release. He followed that up by laterally flexing his neck in each direction feeling his range of motion return.

 

He heard from the doorway, “Drogi?” Vatra and Iceliat both entered looking like they have known months of peace. “Drogi, can you hear me?” asked Vatra.

 

“I can’t feel my legs,” he said, deadpan. No one laughed. “Ah. Just like the old days.” Vatra gave an order to someone at the door, to bring something to eat. Iceliat poured a glass of water as Vatra helped Drogi sit upright. Receiving the water, he thanked Iceliat. He drank, lightly choking on the first gulp. The muscles in his throat needed some retraining. He was sure it would be the same for his arms and core. Wiping the dribble from his chin, he asked, “Is she dead?”

 

Vatra shook his head and pulled a lip back. Iceliat answered, “She flew off after she dropped you.” He sat on the night stand and leaned his forearms onto his thighs, “Drogi? Do you know what that was?”

 

Drogi shared what he remembered and revisited in his dream. “Her name was Beatrix. She was an Empyrean soldier with the Supreme Guard. I told you about a mission we had in the Whispering Wood, right?” They nodded. “She thought I had led my men into a bear den, or something like that. She thought I was being negligent and questioned my right to lead. The Supreme Guard has a tradition which allows subordinates to challenge a higher ranking leader. For her to challenge me, she needed to go through a chain of command. She killed two people to get to me. No charge against her because it followed our ways and technically didn’t do anything wrong.” Drogi stopped to readjust against the potential bed sore that may have formed under his sit bones. He completed the story, sharing the fight, the stab, and the end result.

 

Vatra, clearly upset, responded, “Okay. There is a lot to unpack here. First of all, you were stabbed in the spine and not cursed. What the hell were we looking for?”

 

“It’s not my fault you interpreted what I said as a curse!”

 

“You said you were looking for a cure! An artifact! That’s not how spinal cord injuries work!”

 

Iceliat remained leaning forward, this time elbows to knees, and face in hands. Empyreans and Ateri were proud of their intelligence and forgot that not everyone was on the same level as them. Drogi was a great soldier, not a scholar. Iceliat shared, “I suppose we all do things in desperation.” Drogi looked at him, mouth open, but with nothing to say. He closed it and turned his head away.

 

Vatra turned his back on the two and dropped his head, heavy with frustration. He ran both hands through his hair and inhaled deep, then exhaled longer and in control. “I’m sorry. I get it. I’m sure you were acting out of hope.” He turned back. “So, do you have any idea how she’s alive? It sounds like you almost cut her head off. Even if anyone tried to save her, she wouldn’t have been able to make it out of those caves alive.”

 

Drogi collected his nerves and asked for his chair. He tried to transfer on his own, but his elbow joints weren’t used to stabilizing him during a pivot yet. Iceliat helped him complete the transfer. From what he remembered, the chair should have been dented and bent more than it was. The two must have commissioned someone for repairs and replacements. The drive wheels spin on ball bearings now making for a smoother glide. The tires were wider allowing for maneuvering through dirt and mud, it increased stability but decreased speed. The backrest sat a little lower allowing for improved scapular range of motion. The companion handles placed by the previous builders had to be removed. This would improve his swing and seated rotations.

 

“I literally just woke up,” Drogi pushed away, “can I just have a minute and something to eat?”

 

Drogi stopped at the stairs and looked down. They seemed like more than one story worth of steps. He turned back and propelled to the den. Iceliat and Vatra sat in what would become “their spot”. Vatra had a servant bring a folding table large enough for a family style meal and another servant bring a honey roasted duck, smoked fish, steamed vegetables, and an apple spiced mead. Drogi attacked the feast like a wild animal and ate more than he should have. Every bite seemed like his first. He bit his lip multiple times but he was undeterred. The crispy skin of the duck was like candy. The smoked fish was salty and paired with a sauteed mushroom gravy. He was burping bits of chewed food back up his throat and painfully hiccuping for the rest of the day. He didn’t touch the mead and opted for water with lemon. His stomach was distended, but he was content with the discomfort.

 

Pretending the discomfort is what prevented him from descending the steps on his own, he asked two guards to help him down. One grabbed him from the back and under his pits, while the other managed his legs. He was seated on the reclining chair as someone else brought his chair. Drogi was close enough to the exit to hear a wind chime sing in a tubular melody. He stared out a window that overlooked a part of town he hadn’t visited. “We could just stop,” he thought to himself. “We can call it here. The Phoenix is too much for us, I’m sure. I couldn’t even handle someone I had already killed. What chance do we have of challenging what could be seen as a micro-god? I could just spend the rest of my days here. Maybe find a nice woman who could tolerate me. She wouldn’t have to for very long if the Phoenix is doing what I think it is. No. I’m just feeling weak and pitiful. One last adventure. Finish what I started, save the Isles, sleep with a woman.”

 

Drogi’s train of thought was interrupted by Iceliat and Vatra descending the steps. “We need to talk,” Vatra said. “I’ve had a thought, vision, memory, or what have you.” Iceliat leaned against a wall, arms crossed, and one heel propped up. Drogi sat opening and closing his fists, trying to reawaken his grip strength. Vatra continued, “What do you two know about the Hallowed Ones?”

 

The Hallowed Ones

 

Beatrix’s body fell for what, to her, felt like a lifetime. Though unmoving, she was still alive and conscious. She felt her brothers maneuver her body onto the tarp and wrap her up like a swaddled infant. Her anger kept her awake and alert. The air felt increasingly cold as the shroud became unwrapped around her head. She was falling facing upward, still able to see the moonlight from the opening. “Drogi,” she thought to herself. She tried to speak, but the tendons that held her mandible to her maxilla had been severed. She choked on a piece of clotted blood and coughed a mist of crimson. She felt herself fading and knew that very soon she was going to hit something solid. She hoped that was the case, so it would be a fairly quick death. If she were to hit water and survive long enough to drown, she quivered at the thought.

 

Eyes blinking independently, Beatrix started to feel a hollowness in her thought process. Words came to her like memories or auditory hallucinations. During missions, she often thought about what the experience of death was like. She dreamt of dying multiple times. It was always the same. She would close her eyes, feel her breath slow, and on her final exhale, there would be silence and darkness. Then her mind would linger thinking that it was still alive. “You’re not dead,” it would say. “Just open your eyes.” She’d tell herself if she got up her death might not be as peaceful. She was in a moment of complete content. If the reaper didn’t come to claim her now, she’d be too afraid to die again. When she would finally give in, she would awaken wherever she laid to rest. She believed her dreams of death readied her for this moment. Once she hits the ground, she’ll wake up and complete the next mission. “It’s just a dream,” she told herself.

 

Her breathing slowed. Her mind started to talk itself down in an internal whisper. “Beatrix,” it said, sounding like a whisper in an echo chamber. “Beatrix,” it said again. Her brows furrowed in confusion. “Open your eyes, Beatrix. Open them. See us.” The voice prolonged the word “see” and enunciated the “s” in “us”. She never called herself by her name, only “soldier”. She opened her eyes to the complete darkness. The shroud had completely unraveled, but remained pinned to her top, freeing her arms and legs. “Beatrix,” it said again. “We can save you.” Every word was prolonged and echoed. Beatrix had no need for saving, she knew there was no going back after this. “Heal you. Accept us. Let us in. Accept us.” Every word was stretched and never grew louder than a distant whisper.

 

“Do whatever you want,” she thought, giving up. “I’m done.”

 

Excitedly, the whispers said to themselves, “She said yes. She’s allowing us. She accepts. Go now.” Beatrix heard the words, but thought nothing of it. She believed these sounds were the brain trying its best to reconcile the impending death. “Mine. No mine. Ours. Yes, ours.” It was like listening to children argue over ownership of a toy.

 

Beatrix’s descent began to slow, like falling through water without the splash or being caught by guiding, loving arms. Her body was lying flat, arms and legs splayed out, head and neck supported. “Is this what a soul leaving its vessel feels like?” she thought to herself.

 

“No,” she heard a hundred hushed voices say in turns. “No soul. Body. Ours. Free.” She felt the supporting mass begin to envelop her. Small arms reaching and hands grasping for whatever piece of cloth or skin they could. “Ours,” they continued. “Mine. Ours. Ours.”

 

Beatrix lay in a pool filled with thousands of black wisp-like amorphous figures. Arms the length of a rat or raccoon pulled her deeper into the crowd. Some of the figures, about the size of a common squirrel climbed on top of her front, scurried and bounced. She continued to lay, accepting the sensation, still believing that it was her mind playing tricks. Only once the pulls and tugs began to cause additional pain did she open her eyes. She believed death wasn’t supposed to hurt once you’ve accepted it. Hands and claws tugged at her loose mouth skin, her lips, ears, each finger being splayed and tractioned. Something moved beneath her clothes. She attempted to use her arms to pry off the very real critters, but she was immobilized without any give. Fear began to creep back and confusion overwhelmed her.

 

A hand, then three, grabbed at the already torn skin of her right cheek and began to tug and pull. Her neck tensed and eyes widened as she felt the flesh give and tear. Her loose jaw made what a scream should have been sound like a drowning roar. More hands went for her face, some holding her by the mandible, some holding her by the maxilla, and they pulled in unison in opposite directions. Whatever tendon that was still in place lost to the tension resulting in her jaw being a loose piece of skin that happened to have a bone in it. More force was applied downward ripping into her neck and platysma. Something crawled into her mouth and tried to force its way down her throat. Another one of these things wanted the opportunity and yanked that one away. These things would take turns trying to be the first one to crawl through this opening.

 

She felt her orbitals being exposed by her eyelids being pulled back, and feeling pressure on her eyes like a dog trying to make a comfortable lying surface. Something tried to reach into her lacrimal gland but found nothing and retreated. Clumps of hair were being torn out leaving small bleeding patches. She couldn’t feel as every muscle in her limbs were being bored into and detached from its insertion point. Her fingers had been broken in opposing and random directions exposing bone and sinew. Both elbows and knees were bent backward. Each long bone was broken no less than three times. The whispers continued expressing their greed to one another as Beatrix’s nervous system shut down. She could no longer feel what was happening and could only see the moonlight above her shrink away and be eclipsed by these monstrosities. After the first creature successfully made its way through her mouth opening, others followed, distending her stomach and entrails. In a moment, they would find an exit. Beatrix, fortunately faded away before she could experience this.

 

Unwitnessed, the imp-like demons continued to pull, tear, and bend her body every which way. Her body was completely exposed, the clothing having been removed and discarded. Her body was at the whim of these destroyers to be molded however they saw fit. “Fix you,” they would say thousands of times out of sync. Every strand of hair was pulled from her body: head, brows, body, pits, and privates. Her blood was drained and replaced with something black and viscous. Her teeth had been sharpened, gum receded, and her jaw placed back into place. She was being reassembled and realigned. Some of the creatures moving around her skin sat and sank into an ink that would swirl and stain. Her bones were realigned and increased in density. Her muscles were reattached with increased muscle fibers. Her arms and legs were elongated for reach. All her fingers were lengthened and ended with a pointed, curved bone. Her cheeks had been joined together and smoothly connected. Every muscle fiber could be seen pushing outward through her skin. She was becoming the perfect vessel of anger and wrath. She didn’t know it yet, but her second chance was coming.

 

As Beatrix’s eyes began to open, the little voices hurriedly said to one another, “Hurry. Hurry. Awake. Wake. End.” Beatrix was still being supported by the amorphous black wave, this time she was free to move. She began to sit up and the wave followed to support her. She tried assessing the damage, but it was still too dark to see anything in detail. She thought everything had been a dream, but was reminded once she looked up and saw a flicker of daylight coming from a distant opening. She was sure that she was in the cave’s pupil. She stood and reached in a “Y” position. She could tell she was nude, but rather than feel exposed, she felt powerful. Her arms moved effortlessly and felt as light as down. The voices whispered to her one at a time, “Fixed you. In you. Strong. Together. With you now.”

 

She tried to look around to see the source of the voices, but still nothing. She looked up again. “Get me out of here.”

 

The voices, now excited, whispered, “Wings. Fly. Flight. We can. Let me. Me. Let us.” Out of sight, hundreds of these sprites formed into a whirling mass that attached themselves to each of Beatrix’s scapulae. They dug through the skin painlessly and fused to the bone. As the frame of the wings began to take shape, Beatrix began to lightly beat her wings. This would continue until each wing was about twice the length of her height. When she finally reached lift, the swirls stopped. The voices , proud of their work, said “Fly. She can. We can. Fly.”

 

Beatrix took a hand and felt where her cut had been. Dissatisfied, she took the clawed thumb and traced in a new cut on each side mirroring a scarred version of her previous injury. “Why? Why? Fixed you. Why.” the voices asked.

 

Beatrix, feeling blood trickling down her jaw, continued looking upward as she elevated. “A reminder. I want him to remember.”

 

Vatra

 

Vatra stood in the center of his father’s secret room holding a lantern exposing the rusted instruments used on who knows how many victims. Everything was as his father had left it, except for the vacant space between a set of blades. This is a room of embarrassment and shame. He had no intention of allowing any word of this to reach the townspeople. Intermittently, one day at a time, one bucket or bag at a time, someone would visit this place dressed as an out-of-towner and fill this dungeon of sorts. Maybe in a few years, when the earth has been compacted and leveled, he would repair the hole that hid the spiral stairwell and place a proper cabinet in its place. In time, the small house will be converted into a small shop to sell something mundane. He thought about a toy maker or a cobbler. Something innocent to paint over the blood soaked earth.

 

Vatra ascended the steps and squeezed past the shifted cabinet. Ekern was standing guard at the doorway facing out. He put everything back in its place and engaged the locking mechanism. “Should be good,” he said.

 

Ekern relaxed his posture and walked into the living area. He placed his weapon and helmet on a small table, then sat in one of the rocking chairs. Everything was dusted in Vatra’s absence. He wanted the building to look as occupied as possible to prevent squatters from breaking in and potentially finding the stairwell. Ekern was taller and much more physically fit than Vatra was. The starving little boy he had once been, grew to become an elite member of the house guard. Informally, he was Vatra’s personal guard. He stood six inches taller, shoulders were about a foot wider, and kept his hair short to never be in the way of his eyesight. His choice of weapon was a longsword, but was well adept at anything put into his hands. To become the man he is now, he focused on nothing but training and controlling his willpower. If he wanted someone dead, they would be. “Now that he’s awake, how long do you think you’ll stay in town?” Ekern asked, hoping the answer would be “forever.”

 

“We will probably stay in town for a few more nights, less than a week, to train Drogi’s muscles somewhere close to where he was before.”

 

“He was stabbed in the spine, right? Besides some serious magic, there isn’t anything to be done for that, right?” Ekern wasn’t wrong. Once a nerve is completely severed, both sensation and mobility are nonexistent. “Even if he did get feeling or mobility back, his legs are so atrophied that they wouldn’t be able to functionally maintain his weight. He’d need years of training just to balance without a cane.”

 

“You’re right, absolutely, but I gave him my word that I’d help him find an artifact. Whether it works or not, once we find this mirror thing, I’ll come back home.”

 

“And the Phoenix?”

 

Vatra took a moment, dropped into the other rocking chair, crossed his legs into a figure four, his back pressed the back rest, and clasped his hands behind his head. Vatra considered it, but remembered how it carried the three men effortlessly and dropped them into the ocean, and that was in the bird’s infancy. It has been close to a month since, and he couldn’t imagine the size and strength the beast has reached. “Well,” he started, “it has been a while now and we haven’t heard anything about the Isles getting attacked or anything dangerous happening in the surrounding area.” He craned his gaze upward, and continued, “While I’m away, I’d like to make connections with the towns we pass. With this new common enemy, everyone will have a reason to come together.”

 

Ekern nodded understanding what he was saying about putting the Phoenix concern on hold. He leaned forward and rested his elbows on his knees. “Vatra,” he started to say with an uncertainty in his voice, “I’d like to join. I can help.”

 

Vatra would have loved nothing more than to have his friend by his side. Everything they had been through together and everything they shared made them more than brothers. In another life, they could have been soulmates. Vatra reluctantly responded, “I wish you and I were the only ones going, honestly. But I need you here. You’ll be the one taking the lead of the house guard.” This was a surprise to Ekern. “Don’t be surprised. People will assume that since you were willing to shift blame to me, that you were more loyal to my parents. It’ll make me look merciful and without a grudge. It only makes sense to promote you to this position.” Ekern leaned back unsure of what to say. “We’re going to change the way things are in this town. We’ll expand when the time is right. This can’t be rushed.”

 

“I trust you, Vatra.” Ekern was looking ahead, unsure of what to do next. “Of everyone I know, you’re the only one who can hurt me now.”

 

Vatra didn’t know how to respond. They sat in silence for several moments before a pounding at the door jostled the two upward and rotated. Vatra hummed to himself and stood. Ekern stood as well and grabbed his gear. Placing his polished metal helmet with the cheekbone guards and red tassel snuggly onto his head. He held his sword with arm low and extended. “Let me,” Ekern said. “Look like you’re reading.” Ekern approached the door. The thumping continued in raps of three. Everything sounded low level to Ekern, but this sounded especially low. He thought to himself someone was crouching, ready to attack. Then he calmed himself. It’s daylight and nothing like what he was thinking ever happened in this town. He relaxed his shoulders. The thumps came again, same height, same intensity. The two already knew who it was.


DroGi

 

“If I have to knock one more time, I swear I’m going to,” he thought to himself. The door opened as if the person behind was expecting guests. A large man, broad at the shoulders and padded with fine clothes looked down at him. He could see his eyes in the crack of his barbute, intense but suspecting. He could tell the man pitied DroGi’s situation and thought of him as an invalid. “About time, you shithead.” He tried to push himself past, but bumped into the guard and rolled back slightly. DroGi looked up angrily ready to spew profanities, then he saw the man coyly smile and step to the side. DroGi was jealous for a moment, remembering his own feats. He wondered if he’d ever be the warrior he once was. He prayed that his hope wouldn’t break his heart.

 

He propelled into the small house and saw Vatra sitting in a rocking chair, legs in a figure-four, reading a velvet lined book. DroGi thought less of the intellectual types. He believed they weren’t real men, as they stayed behind in the comforts of their homes while men like DroGi died in the fields. “Of course you’d be reading.” DroGi looked around this unremarkable house and pictured himself living in something like this after he retired. Unfortunately, he knew, there was no retirement for an injured soldier who left his company without a word. He was technically a deserter and deserters were not well respected. Living on the streets for someone going absent would be a privilege. This ignited a new anger inside of himself. “You know there are soldiers out there who have family that don’t know if they’ll ever see their loved one again? That those families are sitting in a house smaller than this, with dirt floors. And what do you rich people do? Sit and read and eat figs while they eat sticks and leather. Why is it that the ones with less fight for the ones with too much? If you’re all so smart, why don’t you all come up with a solution? Why don’t you fight your own wars, huh?”

 

Vatra uncrossed his legs, placed his book on the small table and stretched his upper body with rotations and reaches. He moaned in relief and smiled. “You’re right.” This caught DroGi off guard. He was expecting an argument. “We are smart, Vatra continued. “We’re so smart that the solution we found was to have people like you fight our wars.” DroGi rushed forward. Vatra, expecting this, moved the second chair in his way, creating a barrier. “Calm down, DroGi. It’s a joke.” He laughed. “I didn’t send anyone anywhere. That’s above my level.” DroGi halted his aggression, lifted the chair, and threw it against a wall, just as a way to demonstrate his power. Vatra ended with, “Politics is just a bunch of old men arguing about the best way to control dogs.”

 

“Dogs,” DroGi said to himself silently. He thought back on his training in a flash. “We obey commands, speak when given permission, and live within quarters on a short leash,” he thought. Then, he pushed the idea out of his head. “No, no. That was just during training. We had the choice of what to do next. And,” he paused internally, “punished if it was the wrong choice.” DroGi shook his head to stop these thoughts and said out loud, “Listen, fucker, it’s time to go. We’re heading south.”

 

“Oh?” Vatra, satisfied with his jest, leaned back and inquired, “Why south?”

 

DroGi took a minute before answering. He was taking time to absorb the environment around him. A few of the shadows that normally followed him were present, so were others unfamiliar to him. Staying in place he checked all the corners and the ceiling. Nothing obvious to be seen. Some of his shadows were grouped in the one extra room of the house looking at something out of sight to him. “First off, this house reeks of death.” Vatra and the guard looked at one another, then back to DroGi. He shook his head and returned his attention to Vatra. Thumbing his now grayed obsidian ring, DroGi said “I went and saw Nelvis. Without you around he’s a little more talkative.”

 

Vatra looked at DroGi’s ring then his own. He had put together that he used Vatra’s location as his return point to town. As if coming back from a train of thought, he began to say, “Yea, I don’t know what I was thi-”

 

“Shut up,” DroGi cut off. “He told me he’d heard stories about another mirror in the Black Mist Forest.”

 

“And?”

 

“‘And?’ And we’re going! Fuck, let’s go, already!”

 

Vatra looked to his guard, “What do we know of the Black Mist Forest?”

 

DroGi tuned the conversation between the two out as he went back to scanning the area. His hearing became honed in the room. The shadows were gone, but he still felt a presence. The room was too perfect. No dust, no scratches, nicks, or blemishes. The window sill wasn’t sun damaged, the floors looked as if no one with shoes had ever stepped foot inside, and the walls behind doors were smooth like the doors must have been slowly opened enough to allow a person through and nothing more. He pushed off as the other two continued their planning.

 

At the entrance of the bedroom, he could smell citrus cleaner. The living room smelled of old books and potpourri, so he wondered why would this room be the only one to smell as if it were cleaned. He rolled toward the bed and pressed on the layer of skins and furs. It was cold on his callouses, but inviting all the same. He imagined what it would feel like for the furs to brush against his skin and what it must’ve felt like to kick his legs underneath. He shook that last thought from his mind and continued to inspect. He checked under the bed for dust, but found nothing. He thought this house was too perfect, and the idea of something being perfect is usually a mask for something else. He liked to think you could tell a lot about a person’s mindset by the house they kept. A cluttered house usually meant a busy mind. A clean house usually meant the person either had a housekeeper or thought methodically. This house, on the other hand, did not match up to the other men in the room. The guard was too large, robust, and heavy in stature. The bed would be too small for him, the rocking chairs and small tables were not his style as they would barely be able to maintain his weight or the amount of food he’d need to eat to sustain his physique. Vatra, although rich and can afford a housekeeper, didn’t maintain this type of cleanliness within the mansion. He also had a much larger staff there. So, unless he sent the entire service to this particular place to maintain it, there was no explanation. This house was wrong. He looked back into the main room to see the men clarify questions and tactics. DroGi scoffed at the idea of making a plan with a house guard. He wondered what they could possibly know about the world outside of these pampered walls.

 

His attention turned to the single cabinet placed against a wall. Nothing fancy, but it was nicely smoothed and waxed. Like all the other objects in the house, it was unscathed. He was feeling nosey and decided to look inside. The drawers slid open without a sound of friction, as if moving effortlessly through air. Whoever built this was a master of their craft. Upon opening one of the other drawers, he could tell it didn’t slide as smoothly. It was like an annoying splinter had found its way loose and jammed itself into the track. There was nothing in any of the openings, so he closed everything. He reversed enough to allow his legs to swing past the piece he found to be a work of art. As he turned, he felt his drive wheels and hands dip slightly. It was almost unnoticeable, but with the perfection of the rest of the house it might as well have been a hole to the nether world. He wheeled past, then rotated the half circle to assess the imperfection. There were pressure marks that followed a symmetrical, curving path. They led to three of the legs of the cabinet, meaning one must have been the pivot point. He reached down to feel the indention to make sure it wasn’t a trick of light. It wasn’t. His fingertips followed the tracks back to the cabinet and held it by the bottom rim. He tugged lightly and felt a slight give. He tugged even harder resulting in the doors jostling, but still, the cabinet did not budge from its spot. He sat upright and inspected the narrow gap in the back between itself and the wall.

 

“DroGi?” He heard from the other room. “What are you doing, friend?”

 

He scoffed at the word “friend”, then responded with a hollow echo cheek smashed against the wall, “This place smells of death and citrus.”

 

“Maybe the cleaners had to clear out rats,” someone said.

 

He thought to himself that no living creature beyond a human has entered this house. He knew the signs of rats. They would chew on corners and edges. The idea of the cleaners coming in here, sanding everything down, then ridding the space of dander and splinter was beyond belief. “There has only been one family of rats in this house,” he said, squinting into the space looking for any sign of abnormality. He sat back and turned around, “I don’t have time for this shit. Come on, let’s go. I’ll see you at the mansion. Grab your shit. We need to see Shield.”


Author Credit

Sean Kuttner

Dice, Dungeons, Games & More - Eternity TTRPG



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Jacob Tegtman Eternity TTRPG Creator

Author - Jacob Tegtman

Dear reader, I hope you enjoyed this article. Tabletop gaming has been a passion of mine since I was 6 years old. I've played just about every game from Dungeons and Dragons to video games like Final Fantasy. These games have inspired me, made me laugh, made me cry, and brought me endless hours of enjoyment.


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November 9, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=z-zk16nPM6A Transcription Assassin Strategy === [00:00:00] Welcome back to Eternity TT RPG YouTube channel, where I go over different happenings in the tabletop role-playing universe from D&D to the game that my husband and I are creating. So this go around, we wanted to take a moment to, um, focus a little bit more on the game that my husband and I have created. If you followed, followed along, if not, here's a quick rundown. So he's been creating a tabletop role-playing game for thirty-plus years, like, his entire life, and we found a way for it to be accessible as, like, a fifteen-minute card game just focusing on combat. So we went ahead, had that produced. We have the physical version of it. It is called Emanation. And then from there, we worked with a friend of ours, and he was able to put this entire card game online. So now there's online Emanation. So it plays the exact same. It's just a matter of if you want the physical copy or the online version. Um, so what we thought [00:01:00] would be cool is that there are six classes in this game, right? And every class, I feel like, um, has a different strategy or multiple strategies to it that you can use to play it and see how you succeed. Um, so I thought it would be fun to go over those strategies. However, what we're gonna do is my husband is gonna go ahead and take one of the classes, go over his strategy, I'll go over mine. We won't see each other's videos until, you know, I edit it and throw it on here. But I just wanna see if we line up, if we do different things, um, and if you guys can resonate with either one or if you wanna try it out and find a new strategy. So with all of that being said, the first class we're gonna do and the only class we're gonna focus on this, um, this go around is gonna be the assassin, okay? So with all of that being said, I'll pass it off to [00:02:00] him Hey guys, this is Jacob. It's been a while since I've been on the channel. I just wanted to give my perspective on the Assassin class. So when you come to this website which is play.sparksofeternity.com, we'll put the link in the video You get this page and it's free to play All you have to do is put in your email address and you can play against friends, you can play against computers. It's, uh, really, really awesome. But I'll just go through for those of you who aren't too familiar yet, maybe you've played one or two games, maybe you, be you haven't played at all, and I'll give my perspective on the assassin class. I think the plan is we'll be doing this for all the classes, so hopefully you get an idea of maybe some strategies that you can use. And if nothing else, I hope it tempts you to try the game for yourself So when you hover over each of these abilities here, you can see what it does. So Sparks of Eternity: Emanation is [00:03:00] a TTRPG combat card game. It basically takes the classes of fantasy RPGs and puts them into a card game feel. I'll probably play a couple rounds of this even, but every turn, basically you get more options that you can choose from as your character levels up, and it gives you just more cool things to do. Once you reach level one is when your character starts getting unique powers for the class. So at level one, you'd have Assassinate, and this is just a small chance to do a ton of damage to somebody. I usually like to play this just for fun because if you happen to hit it, you might knock like the summoner out of the game because they have very low number of life sparks or hit points. By level two, you end up getting Rupture. So this is actually slightly different from the physical version currently. We changed some of the order for what will be our future prints and for online to make it a little more streamlined. We [00:04:00] put this ability next. So this ability gives you lethality, which is a spending resource that you can use towards Assassinate. So for every one lethality that you use, instead of hitting, you can see on a 16 to 20 with Assassinate, you would drop that number by one. So Rupture gives you five. So on turn two, I would usually Rupture to start building up lethality so that later in the game I can use those resources to more e- easily hit with Assassinate. Uh, by late in the game, you could have, you know, 30, 40, 50 lethality and just do multiple turns in a row of Assassinating and, um, especially if you end up generating second actions and so forth, which is, you know, some classes can give you, uh, you could very quickly win a game from out of nowhere, which is kind of the idea of the Assassin. Uh, by turn three, you pick up Assassin's [00:05:00] Blades, and you can see here this is a passive effect. So in Emanation, every class has these passives that are, that are totally unique to them, but it's what makes the class feel like that class. Once passive effects are played, they stay in play and every single turn they give you some effect that can happen. So many of those effects are rolled dice effects. You, you roll a 20-sided dice and if you roll within the indicated range, an effect will occur. So with Assassin's Blades, it's just a chance every turn to deal damage. Um, usually by turn three once this comes up I play this immediately. Uh, same goes for Assassin's Poisons on four. It's another passive effect. Basically, whenever I get passive ef- effects I just play them because then the value of that ability just compounds over time. So Assassin's Poisons can daze somebody, which means they can't play any other actions. They can't play any actions for the turn unless they defend Turn [00:06:00] five is usually a little different. You get Unassuming, which makes you untargetable for three turns. It also gives you a large number of life sparks. Sometimes I play this right away if I, if I'm taking a lot of damage from especially like a, a summoner or a berserker, and then you can use those terms, y- turns that you can't be targeted to stack up ruptures to get more lethality going. Sometimes though, I'll save this for the last three turns of the game, and I'll just make it so that I, I heal six life sparks and then the last three turns of the game I just can't be targeted. Sprint on turn six is kind of a similar thing. You defend for two turns. So when you defend in Eternity, it just means that you can't be targeted So Sprint gives you a two-turn defend, uh, during which time on their second turn you can actually still attack someone. So it's very powerful. Sometimes, you know, at the end of the game I was mentioning how I play Unassuming. If you chain that together with Sprint, you could have, like, five [00:07:00] turns where you're completely untargetable. Um, combined with the healing from Unassuming, that's a very powerful effect. Alternatively, like I was mentioning you play it earlier in the game, you build up ruptures, you sprint, you can even assassinate your second turn of- while sprinting. Uh, Cold Blood is another one, though, that I play immediately as, as soon as it becomes available because you start building up stacks of lethality every turn. It's your final passive effect as assassin, and it gives you a fifty percent chance to give basically the rupture effect every turn where you gain five lethality. So as soon as I get this, I usually play this just to start, um, building up my late game assassinates. Premeditate's one of my favorite abilities because it sort of lets you see what your opponents are going to do. So right off the bat, you gain one lethality, and then you roll a D20, and if you roll within the five to 20 range, you get to take a second action. So the reason this is very [00:08:00] valuable is because if someone's using a really powerful attack against you, um, say another assassin is trying to assassinate you or a summoner is using Oblivion, uh, their big, powerful attack, or Judge is using Hammer of Elysium, their big, powerful attack, a second action actually takes place before those incoming effects would. So it lets you see what your opponent will do, and then if it's really dangerous, you can use a defend or you can use Sprint or Unassuming and avoid that attack. Um, similarly, if your opponent's not defending and you have a lot of lethality, you can check to see what they're gonna do with Premeditate, basically see their action and then follow up with as- an assassinate or a big attack of your own. First Strike, it kind of extends the power of your assassinate, and we'll be updating this a little bit soon. Uh, but basically at, at the moment, the, in, the, the heart of the effect is that you play it, next time you cause someone to take damage they take more damage, so it makes your [00:09:00] assassinate even bigger. And then Feint is actually a card that I see players use very infrequently but I think is one of the best cards in the game, uh, unless you're playing against a druid or someone who can attack through defends or punish you for defending. So Feint, there's, there's so many instances in Emanation where you take a damage and then there's about to be ten different, 20 different rolls for passive effects happening. Like Berserker has multiple effects per turn like Assassin's Blades where they roll to see if they do more damage to you Same with Summoner, same with Druid, and so forth. So if you can Feint after taking damage and you have the Presence of Mind to play it, you'll defend for the rest of the turn while still allowing you to do all of your cool effects, all of your own passive effects, finish out your own ability. But then it'll protect you for the rest of the turn against all [00:10:00] those other passive effects, second actions, and so forth. And then cost of this basically is that you're dazed on your next turn, and so you probably end up defending on the following turn as well, which is sometimes good, sometimes, sometimes bad, mostly good. But I've had turns where you Feint and then you take, you know, one damage, but you actually end up preventing like three or four, and all of that damage gets redirected to somebody else, and it ends up being a really powerful play. So the Assassin has a lot of options to stay in the game. So, uh, usually, I guess with the passive effects, I play them as they come in. Sprint, Unassuming, First Strike, Feint, these are all like utility kind of cards, and you play them when you need to, when it's gonna give you the most advantage. I tend to premeditate a lot of turns unless I'm very confident about what I want to do or what I want, what I think my opponents will do, and I don't think there's gonna be a punish for not checking what they're going to do. There's always the chance you miss [00:11:00] that effect and you only get one lethality for the turn, which is pretty bad. But, um By the end of the game, I'm usually just premeditating most turns, keeping up my first strike, and then you're just building up enough lethality and kind of gauging how much life sparks people have left. And then you're timing your unassuming and sprint and just pouring out assassinates at the end of the game. You might get two, three, four assassinates at the end of the game. And, uh, I would say especially against the computers currently, but against a lot of players too, they have a hard time tracking your lethality even though it, it's listed, right? When, when you're playing your character, it'll list your lethality next to you, so they could check it at any time. But the assassin does just tend to be a very surprising class. You don't really know what's gonna come for you until it hits you. And when you get hit by an assassinate, your opponents get hit by assassinate, it's, it's an absolute game changer Eternity TTRPG has released a card game battler which emulates combat from the [00:12:00] tabletop role-playing genre. Sparks of Eternity: Emanation is fast-paced, easy to learn, and features six classes from your favorite TTRPGs. Each class deck comes with its own set of unique abilities, which everyone plays at the same time, so there's never any downtime at your table. Each turn, everyone's characters levels up, giving players access to even more options. If you're interested in taking a look, we have our sales page live now, packed with details. So like I said, I have no clue at all what he was just talking about when it came to his strategy for playing the assassin. So I'm just gonna jump right in with my thoughts around the assassin, how I would play it, my strategy going into it. Um, the assassin among the first six classes, I feel like is pretty evenly matched. I'd put it like right in the middle of everything, um, especially in like your one-on-ones and your free-for-alls. I feel like it's [00:13:00] great. Um, I think it could play well in teams as well. I just don't really know what would work as a good pairing for it. Um, I don't feel like we play tested enough for me to really comment on that, at least in this case. Um, as always, with any class, you start with three things you can do as your like turn zero level zero, right? So that's your attack, defend, and no action. Um, with assassin, I definitely go to attack first because you wanna, um, get as much damage on someone as quick as possible, so that way when you go to have a final blow, it definitely hits and you can end the game quickly. Like I have seen people end games in three turns with an assassin, and it was super impressive. It came down to dice rolls, but still, that's pretty amazing. So moving on, you typically get assassinate as your first, um, ability when you turn level one, and with that it comes down to a [00:14:00] dice roll 16 through 20. Your opponent loses, uh, four life sparks, four hit points. And you know, this is really fun to play on your following turn right away just to see like, "Hey, if I get lucky, I get lucky and this person's out," right? So I will attack first turn, assassinate second turn, and keep going, right? So next thing that you get as an assassin is gonna be something called, um, rupture, which allows you to gain lethality. And lethality is something specific to assassins, and you collect lethality to lower your hit chance on assassinate. Um, so thing to remember with this is that you use your lethality before the dice roll. So that is a commonly asked question. That is something I'm trying to clarify right here. Say how much lethality you're gonna use before the dice roll, okay? [00:15:00] Excuse me. So Um, with the rupture ability, you gain lethality, you gain five lethality. You basically take your turn and just, like, spam that, right? Because you want to get your hit chance as low as possible and potentially auto hit on your assassinate. Um, however, this is gonna be, like, your... You're on turn three now, you have access to this ability. Um, I would read the field that you're on, right? So if you're playing against, say, the druid who has a lot of healing abilities, um, it may not be worth it to, like- Um, to assassinate them because you know they have a lot of healing, they're gonna come into a lot of healing, and no matter how much damage you do right now, they're still gonna go up. Um, so, like, if you're playing against them, I would probably rupture this turn and gain some lethality so that way I can, um, you know, try to hit them harder later. If I was [00:16:00] playing against, like, the Summoner, who I already know has low life sparks, and they don't come into, like, gaining any extra health really easily, I would definitely try to assassinate again, right? So following turn, you gain access to something called Assassin's Blades. You do gain a hit point off of this for yourself. Um, so that does move your health up, and this is something that you get a roll every single turn, and it's just a chance to do damage. So this is where you can start popping off with different things potentially. So I would go ahead and take the turn to play that and, um, have a chance to hit people, and then it stays out the rest of the game, right? Following turn, you do have another passive effect that comes available to you, and this is Assassin's Poisons. You have a chance of gaining... Or excuse me, you do gain hit points from this, but then you have a chance to daze your opponents. Um, and dazing means that the only thing they can do is defend, and if you [00:17:00] have cards that can get through defend, that's really important. Um, as an assassin, off the top of my head, I don't remember if they have anything that can get through defend. So it feels like just a quick way to, uh, you know, have them stop attacking you so you can get your lethality up using rupture. Um, next ability you get is called Unassuming. Um, you do gain a lot of hit points for this card, and then it basically makes you invisible to everyone around you, and you can't be hit unless you initiate first, and this happens for three turns in total. So the thing about this card is you can absolutely play it right away and, like, just take that time, build up your lethality while you're unassuming and not target anyone. Um, or what I prefer is that I hold onto it until close to the end of the [00:18:00] game. Um, so if I am not hurting for health, needing more sparks or any of that kind of stuff, I will hold onto this as long as possible. Because if I can finish up to round sixteen, play this card on round seventeen, and gain six hit points and then nobody can target me, it seems like a no-brainer, right? Because more than likely, you will end the game with more hit points than everyone else, and you win. So that's one of the biggest things with strategy for the assassin that I think comes into it is how to play this unassuming card. So I do wonder if, um, Jacob played it any different than I did. Um, moving on, you start to get abilities like sprint and feint. So sprint is like, uh, it's a You know, you just run away from everything for two turns and can't be targeted, and you're defending. So basically, what I view the Assassin as is, [00:19:00] like, okay, I'm gonna hit you really hard, and then I'm gonna run away until I can do it again, which is really fun and whatnot. And then there's an ability called Feint, where you have to take damage initially, but then you can instantly, like, say, "Hey, I'm not taking more damage this turn. Y'all can't get me." So yeah, I start to think about, like, tag as kids a little bit. Um, other abilities that you get is, um, like, Cold Blood, and this is another way to gain more lethality, along with Rupture. Um, Cold Blood is also a passive, so once you get access to that, you're rolling it every turn, and you should be able to gain so much lethality that you can auto hit probably multiple times in your entire game. Um, another card that comes up is Premeditate, which allows you to immediately gain lethality and then have a chance to use a second action. So you can do that to potentially gain six lethality in a turn. You can [00:20:00] do that to gain a lethality and then assassinate. Um, you can do a lot of things in this case. Um, finally, the last card that I am going to mention is called First Strike, which is the next time you cause a target to lose life sparks, um, they lose an additional one. So this card, I don't personally use it very often. Um, reason being is that I tend to play the Assassin with the, like, hey, let me, uh, get you, and then I'll run away. And I'm not taking the time to really plan out my attacks, I guess, with the Assassin. Um, this card, it feels like you really need to think it through, like, hey, how much can I potentially hit my target for? How many hit points can I do damage for? Um, and just see what happens. So with the Assassin, the most damage I've seen in one [00:21:00] turn was six in total, but it's really hard to get that to pop off. So I rather attempt to assassinate and get a guaranteed four, depending on my lethality, than potentially try and go for six. Um, so anyway, I don't know how much of that lines up with what Jacob said. Maybe we're saying the same things, but that is a rundown of how I would play the Assassin. Um In upcoming videos, we are gonna hit the other five classes that are available in the base game of Emanation, which is the Berserker, Druid, Judge, Oracle, and Summoner. Um, and we'll see how all of that lines up. Like I've said, Assassin is a really fun class to play. You're gonna have to let me know if that's a class you enjoy or if one of the other ones that I mentioned will be more interesting to you. And also, check out the game in play. See if you, like, agree with our strategies, if you find a new one. Just, uh, let us [00:22:00] know. Drop comments, ask questions. As always, like, comment, subscribe. Let us know how we're doing and we'll catch y'all next time
November 2, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=WLpxQkh_SVI Transcription DM Pet Peeves === [00:00:00] Welcome back to the Eternity TT RPG YouTube channel, where I go over different things in the tabletop role playing universe from the game my husband and I created to D&D to different tabletops in between. So this go around, I'm gonna talk about something that I think happens in almost every tabletop role playing game. Um, of course, D&D is the biggest in the tabletop role playing genre, so they're gonna be mentioned a bit, right? Um, with any tabletop role playing game, you always have a game master, dungeon master, GM, DM, whichever, you know, you wanna call it and use it, right? And the dungeon master takes so much time creating this beautiful story. This beautiful story with all these encounters, all these puzzles, the strategy, the bosses, and all these backstories, all these NPCs. It's just... It's like you're writing a book without writing a book, right? [00:01:00] So what can get kind of frustrating when you're a DM is that your party starts making decisions that you never expect, y- and you have to think on the fly. So here's some things that your parties do that you just, you kind of look at them and you go like, "Please don't make that decision," or, "Can we get through this?" Right? So one of the things that comes up immediately in my mind is that you spend 20 minutes, 30 minutes, a hour going over, is this an ordinary door or is this a trap? And you're, you're just sitting there like, "Just turn the doorknob. Please turn the doorknob." But you can't say that because, you know, you're trying to create this cool environment for [00:02:00] your players, right? So if you are a player, keep in mind your dungeon masters are not always doing something devious. They're just, you know, they just needed to put a door there 'cause it's going into a building. Please just grab the doorknob. Go in. Okay? Um, other thing that we end up seeing is that every NPC can get treated like a final boss, right? So one thing that's really fun with being a dungeon master is that you do a lot of foreshadowing, right? So this random person that you met in session one could end up coming back in, like, session 10, session 20, and end up being your final boss of the whole campaign. You don't know. So if you don't know as a player, of course, you're gonna be like, "Well, we'll see you again, I bet." Um, so there's a lot of suspicion around every person you encounter when they could just be a normal shopkeep, [00:03:00] right? So the thing about having a high suspicion is that your players, of course, could be really smart, and that's a really good survival strategy. But it's also just another, like, "Hey, guys, come on, it's literally just a shopkeeper that wants to give you this. Like, don't l- don't look too far into it. Please just let me keep going." Eternity TTRPG has released a card game battler which emulates combat from the tabletop role-playing genre. Sparks of Eternity: Emanation is fast-paced, easy to learn, and features six classes from your favorite TTRPGs. Each class deck comes with its own set of unique abilities, which everyone plays at the same time, so there's never any downtime at your table. Each turn, everyone's characters levels up, giving players access to even more options. If you're interested in taking a look, we have our sales page live now, packed with details. Um Other thing I'm gonna wrap back around for a [00:04:00] minute to, you know, is the door cursed or is it a normal door? When you encounter things like that, or even when you encounter an actual fight, the your players can spend, like, an hour planning how to attack this thing, planning how to attack this, like, goblin foe or whatever, and then it lasts barely two minutes because they spend all that time planning, and then they get to actually, like, encountering and you're just like, "Oh yeah, he's here to lead you here. He's helpful." Like, ugh, it shouldn't take you, as a player, hours to come up with a way to get through something, right? When it is just going to end up being two minutes of the game. Right? So one thing that I tend to talk about a lot, um, in my personal life is how we as a [00:05:00] society, like, we have gone to shorter entertainment. Like, movies are shorter, books are shorter, music is shorter. Like, I remember four or five minute songs, and now we're down to, like, two and a half minutes, right? So that's where I think, like, role playing games are headed a little bit, okay? 'Cause you can spend an hour planning it, your DM can create this masterful campaign, but sometimes we just wanna skip the boring parts. Is that so hard to ask? So moving on, now that I'm off my little soapbox. Um, another thing that we tend to do as players, and I am definitely guilty of this one, is we adopt creatures that the dungeon master isn't expecting, right? You just see this random thing in the woods and decide, "Oh, it's mine," and now the DM has to, like, weave it into the story because you decided to have it, right? So now you just, you just gotta deal with it and roll with [00:06:00] it, and dungeon masters, I'm actually supportive of, of this one, so think on your feet for it. Um, last thing that I wanna cover is that when you're dungeon master, you are thinking of, like, everything from A, B, to Z, right? Going over all the possible outcomes and you think you have them all. You think you have every idea that your players can come up with. And then you don't. Um, perfect example of this, my husband and I were doing a session of, uh, the game that he created, right? And he was DM'ing for me, and this, like, NPC went and kidnapped another NPC using her Nether Night magic, and I was trying to think, "Well, how can I track them down? What can I do?" Because we're in a paved city, obviously no tracks, like, what's gonna work? And one of the abilities that I had, [00:07:00] I inquired if it could detect any magical essence, because I knew that this NPC Nether Night was using magic to disguise themselves and get away faster. And my husband looked at me, and he was like, "That might be the smartest thing you've ever done." And I'm just like, "Okay, cool. I'm glad I figured something out." Um, but that's just a perfect example of how, um, people and your players can figure out something that, like, just works differently, right? Um, so with all of that being said, you know, DMs don't take it to heart, players don't take it to heart, but, you know, somehow we gotta keep meeting in the middle, and that's what makes a good, uh, gaming group. So let me know, as a DM, what's your pet peeve? What's the thing that has just bugged you to no end? Players, what do you think a DM should change, right? And then just [00:08:00] drop any, you know, stories, questions, anything in the comments. Like, comment, subscribe. Let us know how we're doing, and we'll catch y'all next time.
October 30, 2026
Transcribed content from our recent YouTube video: https://www.youtube.com/watch?v=TicIZUlQV08 Transcription IMG_7957 === [00:00:00] Welcome back to Eternity TTRPG YouTube channel, where I go over different happenings in the tabletop role-playing universe, from D&D to the game my husband and I are creating. Um, as we all know, it is going on Halloween weekend, which is usually when we all get together with our tabletop role-playing groups and try to do a one-shot adventure. So for all of the last-minute DMs trying to throw something together for their friends, I've got a couple of ideas for you that I am just gonna rapid fire, okay? So first one, you have a haunted house that does not want you to leave. So your party is invited to investigate an abandoned mansion manor where a family mysteriously disappeared. Um, the twist in this is that the house itself changes its layout depending on the party's actions. So the rooms move, doors disappear, and the house seems to, [00:01:00] like, know the party's secrets somehow, right? Um, different encounter ideas in here is gonna be, like, animated f- um, furniture, possessed portraits, um, secret locations, and the, like, finale can be the house itself is a monster, so you have to, you know, figure out how the monster stays alive and how you can get out. Um, second one, we have the village that celebrates Halloween every night. So your, uh, tabletop role-playing party arrives at a village where everyone is celebrating a strange festival. However, nobody remembers the previous night, and the festival repeats it every single night. So you get Halloween every night. So you have different, like, strange villagers going on. You can start incorporating other, um, you know, Halloween things like scarecrows and werewolves and, [00:02:00] um, jack-o-lan-lanterns. Um, so then also finale with this one, your party discovers that the village is trapped in a curse, and you have to break the ritual before midnight of any given night that you're there. Cool. Um, third one, something is hunting in the woods. This is where we get our werewolves, our spiders, you know, all of our creepies. So travelers have gone missing near a forest, and the party's hired to investigate. So something can be following your party into there, but they never get a clear look at what is following them. So you start dealing with, like, false tracks and abandoned campsites, strange noises, and different things like that. You can even throw in environmental hazards in there, like a river, a bog, um, quicksand, that corn-- sort of stuff. Um, finale of this, a terrifying creature corners the party, and you have to choose how [00:03:00] to get past it. Um, moving on, the Last Night at the Graveyard. So local graveyard keeper hires the party to protect the cemetery during a night when the dead are supposed to rise. Um, twist with this, the undead aren't attacking randomly. They're all trying to, like, reach a certain spot, so you're trying to figure out how do you get to that spot, right? Um, you can have your skeletons, restless spirits, zombies, different kind of puzzles around the crypts and around the grave sites. Um, finale with this, the party uncovers the secret about the person buried there and why the dead are so desperate to get to them. Final one that I'm gonna try and finish this rapid fire off with is a Carnival of Curses. So a mysterious traveling carnival arrives outside of the town that you're at, and the visitors enter smiling, but nobody leaves quite the same. So the twist with this is, like, every [00:04:00] attraction is a magical challenge, and the carnival owner is collecting something from every visitor, so it could be, like, collecting their soul, their spirit, um, or you could go a bit more morbid with it and collecting, like, different parts maybe. Um, so encounter ideas with this is gonna be, like, cursed mirror maze, a rigged fortune teller, enchanted games, creepy performers like Cirque du Soleil style. Um, finale with this, the party has to defeat the carnival owner or escape the carnival itself. So that was super quick. There was five ideas for you to try and make a one-shot, hopefully before your, uh, one-shot this weekend. If not, you can always revisit this and do it anytime. I mean, why not have a fun one-shot to, like, break up what you're doing with your D&D group? So as always, like, comment, subscribe, drop different ideas down below, and we will catch y'all next time. See ya.
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